The New Typography

(Elle) #1
5EURAT: Girls posing
[Verlag der Photograph.
Gesellschaft.
Berlm-Charlottenburg 9)

PAUL 51GNAC:
La Rochelle harbour
[Verlag der Photograph.
Gesellschaft.
Berl1n-Charlottenburg 9)


had then reached. The individual motives for the new attitudes of the pro­
gressive painters had begun a new stage of development.
The romantic painting of Runge and Caspar David Friedrich was replaced
by the naturalism of Carat and Monet. A close study of nature followed the
earlier generation's romantic transfiguration of subject.
The next phase of development, "Piein-air-ism"• (Manet, Degas). tried to



  • plein a1r [French)� pure l1ght. natural light

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