Popular Science 2018 sep

(Jeff_L) #1

70 POPULAR SCIENCE


of bone. We expected to find a single individual,
probably a species we already knew. But there
were 18 hominins, each around 300,000 years
old. We later learned those remains came from
a previously unknown human cousin, Homo
naledi. We believe this species deliberately dis-
posed of their dead there. I expected to spend a
month in South Africa, but five years later, I’m
still working on the site. The descent never gets
easy—I’ve probably worn through 15 overalls

In 2013, I was finishing my doctor-
ate in biological anthropology when
my supervisor sent me an intriguing
Facebook post. Paleo anthropologist
Lee Berger was seeking a team to excavate hom-
inin remains in South Africa’s Rising Star Cave,
a network of chambers that covers more than
9 acres. He wanted people who were not only
trained anthropologists, but also climbers who
could squeeze through a 17-cm-wide space. I wrig-

down a 12-m chute into what we call the Dinaledi
Chamber. That chute isn’t just a crack in the rock—
it’s studded with points like shark teeth. I couldn’t
turn my head to see where I was going, and many
points were so tight that by inhaling, I could hold
myself in place without my hands. When I dropped
down and entered the chamber for the first time,
it was awesome in the true sense of the word.
Everywhere my headlamp shone, I saw fragments

gled underneath my bed to make sure I could do
it. Within a month, I was heading to South Africa
with five other researchers. To reach the fossils,
you belly-crawl through a 30-cm-high passage,
climb 15 metres up a rocky formation, and slip

AT THE EXTREME

MARINA ELLIOTT,BIOLOGICAL ANTHROPOLOGIST AT UNIVERSITY OF THE WITWATERSRAND IN SOUTH AFRICA

Reaching the Past Through a 7-Inch Chute


scraping through that jagged chute—but negoti-
ating tight spaces is more about knowing how to
move than anything else. You need to be strong,
smart, and determined (and a little bit crazy),
but not necessarily tiny.

illustration by Britt Spencer

Rethink
FROM THE

FIELD


TALES


AS TOLD TO RACHEL FELTMAN
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