28 Letter of 19 May 1914 ,inSelected Letters of Edward Thomas, ed. R. George
Thomas (Oxford: Oxford University Press, 1995 ), p. 93.
29 Pierre Bourdieu, ‘The Historical Genesis of a Pure Aesthetics’, inThe Field of
Cultural Production: Essays on Art and Literature,ed. Randal Johnson (New
York: Columbia University Press, 1993 ), p. 266.
30 Classical and Romantic German Aesthetics, ed. J. M. Bernstein (Cambridge:
Cambridge University Press, 2003 ), p. xvi.
31 Walter Benjamin, ‘The Concept of Criticism in German Romanticism’, in
hisSelected Writings, 3 vols. (Cambridge, MA: Belknap, 1996 – 2002 ), I: 1913 –
1926 ( 1996 ), ed. Marcus Bullock and Michael W. Jennings, pp. 116 – 200
(p. 174 ).
32 G. W. F. Hegel,Aesthetics,trans.byT.M.Knox, 2 vols. (Oxford:
Clarendon, 1975 ), II, p. 1023. Simon Jarvis relates this idealist theory to
New Historicism in ‘Prosody as Cognition’,Critical Quarterly 40 ( 1998 ),
3 – 17.
33 Jacques Derrida, ‘Che cos’e`la poesia?’, inPoints.. ., ed. Elizabeth Weber,
trans. Peggy Kamuf et al. (Stanford, CA: Stanford University Press, 1995 ), pp.
288 – 99 (p. 295 ).
34 Derek Attridge,The Rhythms of English Poetry(London: Longmans, 1982 ).
CHAPTER 1 INSIDE AND OUTSIDE MODERNISM
1 1798text fromLyrical Ballads and Other Poems, 1797 – 1800 ,ed. James Butler
andKaren Green (Ithaca, NY: Cornell University Press, 1992 ).
2 Ibid., p. 745.
3 See Michael Bell,Sentimentalism, Ethics and the Culture of Feeling(London:
Palgrave, 2000 ), p. 108.
4 The Collected Works of Samuel Taylor Coleridge, ed. Kathleen Coburn
(Princeton, NJ: Princeton University Press, 1969 –), 7 :Biographia Literaria,
ed. James Engell and W. Jackson Bate ( 1983 ), II, pp. 68 – 9. References in
brackets are to volume II of this edition.
5 Collected Letters of Samuel Taylor Coleridge, ed. E. L. Griggs, 6 vols. (Oxford:
Oxford University Press, 1956 – 71 ), II, p. 812.
6 F. Schiller,On The Aesthetic Education of Man in a Series of Letters, ed.
Elizabeth M. Wilkinson and L. A. Willoughby (Oxford: Clarendon, 1967 ),
especially letter 27 ; Immanuel Kant,Critique of Judgement, trans. Werner S.
Pluhar (Indianapolis: Hackett, 1987 ), p. 306.
7 F. Schiller, ‘Kallias or Concerning Beauty: Letters to Gottfried Ko ̈rner’,
repr. in Classical and Romantic German Aesthetics, ed. J. M. Bernstein
(Cambridge: Cambridge University Press, 2003 ), pp. 145 – 83 (p. 167 ).
8 Lyrical Ballads, pp. 750 , 754.
9 See Paul Hamilton, Coleridge’s Poetics (Oxford: Blackwell, 1983 ) and
Michael Kooy,Coleridge, Schiller and Aesthetic Education(London: Palgrave,
2002 ).202 Notes to pages 12 – 21