10 Lyrical Ballads,p. 345.
11 Samuel Taylor Coleridge,Collected Works of Samuel Taylor Coleridge, ed.
Kathleen Coburn (London: Routledge & Kegan Paul, 1969 –), 5 :Lectures on
Literature 1808 – 1819 , ed. R. A. Foakes ( 1987 ), I, p. 495.
12 Nigel Leask,The Politics of Imagination in Coleridge’s Critical Thought
(Basingstoke: Macmillan, 1988 ).
13 Donald Wesling, The New Poetries: Poetic Form since Coleridge and
Wordsworth(London: Associated University Presses, 1985 ), p. 64.
14 Ezra Pound, ‘Prolegomena’,Poetry Review 1 ( 1912 ), 72 – 6 (p. 73 ),EPP,I,
p. 60.
15 Ezra Pound, ‘Affirmations, IV. As for Imagisme’,New Age 16 ( 1915 ), 349 – 50
(p. 349 ),EPP, II, p. 9.
16 Ezra Pound, ‘T. S. Eliot’,Poetry 10 ( 1917 ), 264 – 71 (p. 267 );EPP, II, p. 249.
17 Coleridge,Collected Works, 12 :Marginalia,ed. George Whalley ( 1980 ), I,
p. 377.
18 Pound,‘Asfor Imagisme’, p. 349 ,EPP, II, p. 9.
19 Ezra Pound, ‘Books Current’,Future 2 ( 1918 ), 188 – 90 (p. 188 ),EPP, III,
p. 115.
20 T. S. Eliot, ‘The Function of Criticism’, in hisSelected Essays(London:
Faber & Faber, 1951 ), p. 23.
21 Lecture entitled ‘The Origins: What is Romanticism?’ repr. in Ronald
Schuchard,Eliot’s Dark Angel(New York: Oxford University Press, 1999 ), p.
27.
22 Cited in Joy Grant,Harold Monro and the Poetry Bookshop(London:
Routledge & Kegan Paul, 1967 ), p. 143.
23 Harold Monro, ‘The Imagists Discussed’,Egoist 2 ( 1915 ), 77 – 80 (p. 78 ).
24 May Sinclair, ‘Two Notes’,Egoist 2 ( 1915 ), 88.
25 Ezra Pound and Frank Flint, ‘Imagisme’,Poetry 1 ( 1913 ), 198 – 200 (p. 199 ).
26 See Michael H. Levenson, A Genealogy of Modernism (Cambridge:
Cambridge University Press, 1984 ), p. 95.
27 T. S. Eliot, ‘London Letter’,Dial 70 ( 1921 ), 448 – 53 (p. 451 ).
28 HaroldMonro,‘The Future of Poetry’,Poetry Review 1 ( 1912 ), 10 – 13 (p. 10 ).
29 Harold Monro, ‘Freedom’,Poetry Review 1 ( 1912 ), 59 – 60 (p. 59 ).
30 Ezra Pound, ‘Vorticism’,Fortnightly Review, 1 September 1914 , pp. 461 – 71
(p. 467 ), EPP,I,p. 281 ; Ezra Pound, ‘The Serious Artist, IV’, New
Freewoman 1 ( 1913 ), 213 – 14 (p. 214 ),EPP,I,p. 202.
31 Pound, ‘The Serious Artist, III – Emotion and Poesy’,New Freewoman 1
( 1913 ), 194 – 5 (p. 195 )EPP,I, p. 199.
32 Maurice Browne, ‘The Poetry of Wilfrid Wilson Gibson’,Poetry Review 1
( 1912 ), 15 – 18 (pp. 15 , 17 ).
33 F.S.Flint, ‘Reviews’,Poetry Review 1 ( 1912 ), 28 – 9 (p. 28 ).
34 Lascelles Abercrombie, ‘The Function of Poetry in the Drama’, Poetry
Review 1 ( 1912 ), 108 – 19 (pp. 108 , 112 ).
35 Ezra Pound, ‘A Few Don’ts by an Imagiste’,Poetry 1 ( 1913 ), 200 – 6 (p. 200 ),
EPP,I,p. 120 ; Pound, ‘Vorticism’, p. 464 ,EPP,I, p. 278.
Notes to pages 21 – 30 203