british poetry in the age of modernism

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36 Frank Flint, review of Pound’sRipostes,inPoetry and Drama 1 ( 1913 ), 61 ;
Flint, ‘The Poetry of H. D.’,Egoist 2 ( 1915 ), 72 – 3 (p. 73 ).
37 Pound, ‘Prolegomena’, p. 73 ,EPP,I,p. 60.
38 Richard Aldington, ‘Free Verse in England’,Egoist 1 ( 1914 ), 351 – 2 (p. 351 ).
39 Abercrombie, ‘The Function of Poetry’, p. 112.
40 Sinclair, ‘Two Notes’, 88.
41 W. W. Gibson, ‘Some Thoughts on the Future of Poetic-Drama’,Poetry
Review 1 ( 1912 ), 119 – 22 (p. 122 ).
42 Rupert Brooke, Review ofFires,inPoetry and Drama 1 ( 1913 ), 58 – 60 (pp. 58 , 59 ).
43 Pound, ‘Prolegomena’, 73 ,EPP,I,p. 60.
44 Review ofEve and Other Poems,inPoetry and Drama 1 ( 1913 ), 370 – 1.
45 Walterdela Mare, ‘The Poems of Ralph Hodgson’, unsigned review,Times
Literary Supplement, 7 October 1915 ,p. 342 ; Ezra Pound, ‘The Approach to
Paris... V’,New Age 13 ( 1913 ), 662 – 4 (p. 662 ),EPP,I,p. 181.
46 Harold Monro, ‘New Books’,Poetry and Drama 2 ( 1914 ), 176 – 84 (p. 178 ).
47 Richard Aldington, ‘Modern Poetry and the Imagists’,Egoist 1 ( 1913 ), 201 – 3
(p. 202 ); Pound, ‘Vorticism’, p. 463 ,EPP,I,p. 277.
48 Monro, ‘New Books’, p. 179.
49 Frank Flint, review ofA Boy’s Will,inPoetry and Drama 1 ( 1913 ), 250.
50 Pound, ‘Reviews’,Poetry 2 ( 1913 ), 72 – 4 (p. 72 ),EPP,I,p. 138 ; Frost, letter of
17 July 1913 to Thomas B. Mosher,in Selected Letters of Robert Frost, ed.
Lawrance Thompson (London: Jonathan Cape, 1965 ),p. 84.
51 TheCollected Writings of T. E. Hulme, ed. Karen Csengeri (Oxford:
Clarendon, 1994 ), p. 80.
52 Pound, ‘Vorticism’, p. 462 ,EPP,I,p. 273 ;Lyrical Ballads, pp. 744 , 755 , 747.
53 T. S. Eliot, ‘The Music of Poetry’, inOn Poetry and Poets(London: Faber &
Faber, 1957 ), p. 31.
54 Monro, ‘The Imagists Discussed’, 77.
55 Ezra Pound, ‘The Rev. G. Crabbe, LL.B’,Future 1 ( 1917 ), 110 – 11 (p. 110 ),
EPP, II, p. 188.
56 Pound, ‘Prolegomena’, p. 73 ,EPP,I,p. 60.
57 Aldington, ‘Free Verse in England’, p. 351.
58 Ezra Pound, ‘Breviora’,Little Review 5 ( 1918 ), 23 – 4 ,EPP, III, p. 197.
59 Ezra Pound, ‘The Serious Artist, III’, pp. 194 – 5 ,EPP,I, 200.
60 Lyrical Ballads,p. 756.
61 Pound, ‘Books Current’, p. 190 ,EPP,III,p. 116.
62 T. E. Hulme, ‘A Lecture on Modern Poetry’, in hisCollected Writings,
pp. 49 – 56 (pp. 53 , 54 ).
63 T. S. Eliot, ‘A Commentary’,Criterion 2 ( 1924 ), 231.
64 Levenson,A Genealogy of Modernism, pp. 95 – 102 ; R. Shusterman,T. S. Eliot
and the Philosophy of Criticism(London: Duckworth, 1988 ), pp. 30 – 6.
65 T. E. Hulme, ‘Romanticism and Classicism’, in hisCollected Writings, pp.
59 – 73 (p. 61 ).
66 The Works of John Ruskin, ed. E. T. Cook and Alexander Wedderburn, 39
vols. (London: George Allen, 1903 – 12 ), IV ( 1903 ), p. 236.

204 Notes to pages 30 – 7

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