british poetry in the age of modernism

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67 Coleridge,Lectures on Literature, II, p. 278.
68 Henri Bergson,Introduction to Metaphysics, trans. T. E. Hulme (London:
Macmillan, 1913 ), p. 6. The translation was in fact Flint’s.
69 Pound, ‘Affirmations, IV’, p. 350 ,EPP, II, p. 9.
70 Bergson,Introduction to Metaphysics,p. 3.
71 Pound, ‘A Few Don’ts’, p. 200 ,EPP,I,p. 120.
72 See John T. Gage,In the Arresting Eye: The Rhetoric of Imagism(Baton
Rouge: Louisiana State University Press, 1981 ).
73 John Middleton Murry, ‘Art and Philosophy’,Rhythm 1 ( 1911 ), 9 – 12 (pp. 9 , 12 ).
74 John Middleton Murry, ‘Reviews’,Rhythm 1 ( 1911 ), 35.
75 The Letters of Rupert Brooke, ed. Geoffrey Keynes (London: Faber & Faber,
1968 ), p. 419.
76 T. E. Hulme, ‘Bergson Lecturing’, in hisCollected Writings, pp. 155 – 6.
77 Robert Ferguson,The Short Sharp Life of T. E. Hulme(London: Allen Lane,
2002 ), p. 99.
78 Humphrey Carpenter,A Serious Character: The Life of Ezra Pound(London:
Faber & Faber, 1988 ), p. 114 ; Pound, ‘Books Current’, 311 – 12 ,EPP,III, p.
252.
79 Blast 1 ( 1914 ), 8 ; editorial,Little Review 4 ( 1917 )[ 3 ]– 6 ,EPP, II, p. 197 ; Ezra
Pound, ‘The Yeats Letters’,Poetry 11 ( 1918 ), 223 – 5 ,EPP, III, p. 8.
80 See James Longenbach,Stone Cottage: Pound, Yeats and Modernism(New
York: Oxford University Press, 1988 ) and Frank Lentricchia, Modernist
Quartet(Cambridge: Cambridge University Press, 1994 ).
81 Max Stirner,The Ego and his Own, ed. James T. Martin, trans. Steven T.
Byington (New York: Dover, 1973 ), p. 37.
82 Ezra Pound, ‘Provincialism the Enemy, IV’,New Age 21 ( 1917 ), 308 – 9 ,EPP,
II, p. 251.
83 Ezra Pound, ‘Affirmations, VI. Analysis of this Decade’,New Age 16 ( 1915 ),
409 – 11 (p. 411 ),EPP, II, p. 17.
84 See Jean-Luc Nancy,The Sense of the World, trans. Jeffrey S. Librett
(Minneapolis: University of Minnesota Press, 1997 ),p. 72.
85 FrankKermode,Romantic Image(London: Routledge & Kegan Paul, 1957 ),
p. 157.
86 Hulme, ‘Romanticism and Classicism’, p. 80 ; Pound, ‘Vorticism’, p. 466 ,
EPP,I,p. 280.
87 Marc Redfield,Phantom Formations: Aesthetic Ideology and the Bildungs-
roman(Ithaca, NY: Cornell University Press, 1996 ), p. 18.
88 Ezra Pound, Canto XVI,The Cantos(London: Faber & Faber, 1986 ), p. 71 ;
Matthew Arnold, preface to first edition ofPoems( 1853 )inComplete Prose
Works of Matthew Arnold, ed. R. H. Super, 10 vols. (Ann Arbor: University
of Michigan Press, 1960 – 77 ), I:On the Classical Tradition( 1960 ), pp. 5 – 6.
See also Kenneth Daley,The Rescue of Romanticism; Walter Pater and John
Ruskin(Athens: Ohio University Press, 2001 ).
89 Full sources and influences are given in Coleridge,Lectures on Literature, II,
p. 399.


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