90 F. Schiller,On the Aesthetic Education of Man, pp. clxvi ff.
91 Kooy,Coleridge, Schiller and Aesthetic Education, pp. 59 – 64.
92 Schiller,On the Naı ̈ve and Sentimental, repr. inFriedrich Schiller: Essays, ed.
W. Hinderer and Daniel O. Dahlstrom, trans. Daniel O. Dahlstrom (New
York: Continuum, 1993 ), p. 185.
93 T. S. Eliot, ‘Swinburne as Poet’, inSelected Essays,p. 327.
94 Pound and Flint, ‘Imagisme’, p. 199.
95 Ezra Pound, ‘Affirmations, II. Vorticism’,New Age 16 ( 1915 ), 277 – 8 (p. 278 ),
EPP, II, p. 5 ; T. S. Eliot, ‘Seneca in Elizabethan Translation’, inSelected
Essays,p. 68 ; T. S. Eliot, ‘The Metaphysical Poets’, inSelected Essays,p. 287.
96 Schiller,On the Naı ̈ve and Sentimental,p. 229.
97 Walter Pater, ‘The School of Giorgione’, inThe Renaissance (London:
Macmillan, 1910 ), pp. 130 – 54 (p. 135 ).
98 Pound, ‘As for Imagisme’, p. 350 ,EPP, II, p. 9.
99 Hulme, ‘Romanticism and Classicism’, p. 69 ; Schiller,On the Naı ̈ve and
Sentimental,p. 199.
100 Schiller’suncertaintyis discussed in Kooy,Coleridge, Schiller and Aesthetic
Education,p. 15.
101 Pound and Flint, ‘Imagisme’, p. 199 ,EPP,I, 119.
102 Letter to Felix Schelling, 8 July 1922 ,inSelected Letters of Ezra Pound, 1907 –
1941 , ed. D. D. Paige (London: Faber & Faber, 1971 ), p. 178.
103 Ezra Pound, ‘The Approach to Paris.. .V’,New Age 13 ( 1913 ), 662 – 4
(p. 662 ),EPP,I,p. 181.
104 Text taken fromDes Imagistes(London: Poetry Bookshop, 1914 ).
105 T. E. Hulme, ‘Bergson’s Theory of Art’, in hisCollected Writings,p. 193.
106 Sinclair, ‘Two Notes’, p. 88.
107 Letter of 28 October 1913 ,inThe Letters of D. H. Lawrence, ed. James T.
Boulton, 7 vols. (Cambridge: Cambridge University Press, 1979 – 93 ), II:
1913 – 16 , ed. with George J. Zytaruk ( 1981 ), p. 46.
108 Text taken from Masefield’sCollected Poems(London: Heinemann, 1923 ).
109 Texts from Gibson’sCollected Poems(London: Macmillan, 1926 ).
110 Letter of 10 November 1915 , BergCollection of English and American
Literature, New York Public Library, Astor, Lenox and Tilden Foundations
(hereafter Berg Collection).
111 Edward Thomas, ‘John Masefield and Wilfred Gibson’, Bookman,
November 1914 , 51 – 2 (p. 51 ).
112 Edward Thomas,Walter Pater(London: Martin Secker, 1913 ), p. 202.
113 Rupert Brooke, untitled paper on Shakespeare, Notebook M/ 6 , Brooke
Collection, King’s College, Cambridge; Rupest Brooke, ‘Democracy and the
Arts’, repr. in Timothy Rogers,Rupert Brooke: A Reappraisal and Selection,
(London: Routledge & Kegan Paul, 1971 ), pp. 98 – 9.
114 G. E. Moore,Principia Ethica(Cambridge: Cambridge University Press,
1971 ), p. 201.
115 Letter of 19 October 1916 ,Selected Letters of Edward Thomas, ed. R. George
Thomas (Oxford: Oxford University Press, 1995 ), p. 132.
206 Notes to pages 42 – 51