The Routledge Companion to Research in the Arts

(coco) #1
referenCes

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hum and l.T. Calendrillo, (eds) Ways of Seeing, Ways of Speaking: the integration of rhetoric and
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Fleming-Williams, i. and l. parris (1984) The Discovery of Constable., london: hamish hamilton.
Flusser, V. (1988) Krise der Linearität, Bern: Benteli.
Fortune, R. (2002) ‘image Word and Future Text: visual and verbal thinking in writing instruction’,
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Forty, a., n. albertsen, h. dunin-Woyseth, R. lawrence, T.a. markus and a.W. spirn (2006)
Evaluation of Swedish Architectural Research 1995–2005, stockholm: FoRmas. online. http://
[http://www.formas.se/upload/arkutv.pdf
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Foucault, m. (1972 [1969]) The Archaeology of Knowledge, london: Tavistock press.
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Frayling, C. (1993) Research in Art and Design, london: Royal College of art.
Freud, s. (1957 [1910]) ‘leonardo da Vinci and a memory of his Childhood’, in: strachey, J., (ed.)
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—— (1960 [1901]) ‘The Forgetting of proper names’, in: strachey, J., (ed.) The Standard Edition of
the Complete Psychological Works of Sigmund Freud, london: hogarth press, 1–7.
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Psychological Works of Sigmund Freud, london: hogarth press, 1–66.
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Complete Psychological Works of Sigmund Freud, london: hogarth press, 173–94.
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Frisk, h. and s. Östersjö (2006a) ‘negotiating the musical Work: an empirical study’. international
Computer music Conference, san Fransciso, Ca: Computer music association, 242–9.
—— (2006b) ‘negotiating the musical Work. an empirical study on the inter-Relation between
Composition, interpretation and performance’. ems -06, Beijing. Terminology and Translation:
electroacoustic music studies, n.p.
Frith, C. (2007) Making up the Mind: how the brain creates our mental world, Cambridge, ma: Blackwell.
gadamer, h.-g. (1975) Truth and Method, london: sheed and Ward.
gardner, h. (1973) The Arts and Human Development, new York: Wiley.
—— (1983) Frames of Mind: the theory of multiple intelligences, new York: Basic Books.
—— (1985) The Mind’s New Science: a history of the cognitive revolution., new York: Basic Books.
gaunt, W. (1964) A Concise History of English Painting, london: Thames and hudson.
gelder, T.V. (1998) ‘The dynamical hypothesis in Cognitive science’, Behavioral and Brain Sciences
21 (5): 615–65.
gesche, J. and a. scheuermann (2007) ‘design as Rhetoric: basic principles for design research’,
paper presented at swiss design network.
gibbons, m., C. limoges, s. schwartzman, h. nowotny, m. Trow and p. scott (1994) The New
Production of Knowledge: the dynamics of science and research in contemporary societies, london: sage
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gibson, W. (1984) Neuromancer, new York: ace.
giddens, a. (1979) Central Problems in Social Theory: action, structure and contradiction in social
analysis, Berkeley, Ca: university of California press.
giddens, s. and s. Jones (2001) Flesh and Text – a document by bodies in flight, Cd Rom.
—— (2010) ‘de-second-naturing: word unbecoming flesh in the work of Bodies in Flight’, in:
Broadhurst, s. and J. machon, (eds) Sensualities/Textualities and Technologies: writings of the body in
21st century performance, Basingstoke: palgrave macmillan.

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