The Routledge Companion to Research in the Arts

illusTRaTions

• 4.1 doctoral scholarship until the mid-1970s Figures


• 4.2 doctoral scholarship between the mid-1970s and the 1990s


• 4.3 doctoral scholarship 1990–2000
  
  
  • architectural and design scholarship 4.4 mode 1 and mode 2 of knowledge production with regard to
  
  
  
  


• 4.5 ‘matrix of comparison between mode 1 and mode 2’


• 6.1 Frank shifreen, Mask: Portrait of Chief Pontiac,


• 6.2 Frank shifreen and Barnaby Ruhe Souped-up Pontiac,


• 6.3 Theoretical structure of visual cognition and creativity


• 7.1 a table drawn from elkins’ models and the glasgow categories


• 9.1 delagrange, Wunderkammer,


• 12.1 Functional definitions of concepts, affects, percepts and kinepts
  
  
  • improvised performance with an interactive computer 16.1 a simplified graphic representation of an instant of an
  
  
  • ‘sphere’ of listening 16.2 a modified version of Figure 16.1 with a distributed
  
  
  • the addition of time 16.3 The imaginary performance as sketched in Figure 16.1 with
  
  
  
  


• 17.1 The workroom of the austrian artist herwig Weiser


• 17.2 marcello mercado, Screenshot,


• 17.3 Yunchul Kim, self_portrait.jpg (detail),
  
  
  • 19.1 Kim sang- gil, University Series,
  
  
  
  


• 19.2 hito steyerl, DeriVeD,


• 19.3 irene Kopelman, Ubx Expression,
  
  
  • practice with academic research 23.1 Range of hybrid models that result from the merger of arts
  
  
  
  


• 23.2 The ‘new paradigm’ approach