Watercolor Artist - USA (2019-10)

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FEW THINGS IN AN ARTIST’S LIFE
CAN RIVAL THE JOY OF DISCOVERING
A CAPTIVATING SCENE, SPENDING TIME
TO OBSERVE AND UNDERSTAND IT, AND
CAPTURING ITS UNIQUE, EPHEMERAL
ATMOSPHERE THROUGH PAINT.

By David Howell


I


grew up in the countryside, and
from an early age I was particularly
aware of the changing weather and
seasons. As my interest in painting
developed, that awareness of my
surroundings progressed into ana-
lyzing colors and tones and the
eff ects of diff erent times of the year
and times of any individual day. I learned that
nothing stays the same.
I’m primarily a landscape and marine painter,
and whenever I’m outside, I see potential pic-
tures. For me, painting isn’t about super-accurate
detail but much more about the appeal of a par-
ticular moment in time and location. I want the
way I feel about the subject to be apparent to the
viewer. Atmosphere is very much a part of that,
and it’s invariably infl uenced by the weather, the
season and the time of day, all of which I want to
capture in my painting. A lazy summer landscape
will have a very diff erent feel than a hastily
sketched winter subject.
I don’t adhere strictly to topographical accu-
racy, which I feel should never get in the way of
a good painting, and there are times when I
shuffl e elements of the composition about or
leave something out altogether.
What’s essential is to take the trouble to
spend time with the subject. Today we’re fully
equipped with various digital devices that can
easily record a location or event, and many
painters fi nd cameras a convenient way to record

Venice is a beautiful and
unique city, but it can get
extraordinarily busy,
particularly with the
tourist throng around
Piazza San Marco and
the Rialto. Across the
Grand Canal, however,
it gets quieter—and even
quieter still—if you go in
the winter. The colors are
softer and the light is
more interesting then,
as in Rio di San Barnaba,
Venice (watercolor on
paper, 12x14), a painting
of the canal and church
of San Bar naba.
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