Music and the Making of Modern Science

(Barré) #1

290 Notes to pages 53–63



  1. G. Galilei 1977 , 71 – 77.

  2. G. Galilei 1989 , 74 – 75.

  3. Ibid., 196.

  4. Quoted from Westman 2011, 489; for Hooke ’ s attempts to provide experimental verification of the Coper-
    nican view, see 504 – 510.
    4 Hearing the Irrational

  5. Recorde 1557 , sigs. Aiir, Sir, Siv; Neal 2002 , 49 – 55, at 50. See also Van Wymeersch 2008.

  6. See Boyer 1991 , 304; Dijksterhuis 1970 , 16 – 19, 21 – 22, 38 – 39; Bos 2001 , 119 – 143; Rasch 2008. In 1585,
    the Flemish mathematician and engineer Simon Stevin also advocated decimal notation; see Klein 1992,
    186 – 197.

  7. The seminal work on Vi è te in relation to Greek mathematics is Klein 1992 , 150 – 185, 321 – 322n10, which
    contains a translation of Vi è te ’ s Isagoge (313 – 353). For cryptographic parallels, see Pesic 1997a,b ; 2000a , 59 – 83;
    2000b , 73 – 83; and Panza 2006.

  8. Field 1997 , 67; 2005 , 24 – 31, 282 – 284, 312 – 316. See also Moyer 2008 ; Peterson 2011 , 106 – 124.

  9. Boyer 1991 , 281 – 282; Aubel 2008 ; Neal 2002 , 49.

  10. Stifel 1544 , fol. 7v, 55r – 58r.

  11. Boethius 1989 , 4.11; Stifel 1544 , fols. 70r – 75v; for the sources, see Euclid and Porphyry 1991 , props. 3, 16;
    Barker 1984 , 2:190 – 208 and Barbera 1984 ; Knorr 1975 , chap. 7; Field 2011 ; Moyer 2011.

  12. Modern convention has an octave comprise 1,200 cents, of which an equal-tempered semitone would be 100
    cents, a “ major semitone ” (2,187:2,048 = 3^7 :2^11 ) 114.7 cents, a “ minor semitone ” (256:243 = 2^8 :3^5 ) 90.2 cents,
    and a Pythagorean comma (3^12 /2^19 = 531,441/524,288) 24.5 cents. See Fauvel, Flood, and Wilson 2004 ,
    13 – 27.

  13. Stifel 1544 , fol. 76r; for the earlier theorists, see de Muris 1992, 292 – 301, at 294; Hentschel 1998 , 39 – 60, at



  14. As in its 1482 Latin translation: Busard 2005, 1:160 – 161.

  15. Oresme 1966 , 60 – 65, 304 – 309; 1971 , 78 – 161, 296 – 305, at 297; see also Abdounar 2008.

  16. Lef è vre d ’ É taples and Jordanus 1496 , fol. g6v, cited in Stifel 1544 , fol. 76v.

  17. For details of Stifel ’ s computations, see Pesic 2010.

  18. Stifel 1544 , fol. 79v. I thank William Donahue for his kind help with the translations from Stifel ’ s Latin.

  19. Ibid. , fol. 103r.

  20. Cardano 1967 , 10:222, as translated in Cardano 2007 , 1.

  21. Cardano 1967 , 2:337, cited in Cardano 1973 , 22n36, which also includes the quotation from Miller.

  22. Cardano 1973 , 45, cites Lef è vre; see also Pesic 2010 ; Barbour 1972 , 7. For a lively introduction to questions
    of temperament, see Duffin 2007.

  23. Cardano 1967 , 4:281; 2007 , 204.

  24. Boethius 1989 , 1.21. Boethius ’ s semitone 243:256 is not an exact equal division of the tone. The trihemitone
    is 294.1 cents, slightly smaller than the modern minor third, 300 cents.

  25. Ibid. The ditone is 407.8 cents, slightly larger than the modern major third, 400 cents.

  26. Palisca 1985 , 88 – 110; he comments on Vincenzo on 10 n 35. For Vicentino, see Berger 1980 ; Cordes



  27. Palisca 1985 , 119; see also Kaufmann 1966.

  28. Vicentino 1996 , 302 – 314, on 304, discussed in Moyer 1992 , 168 – 184. Regarding the presence of Lasso, see
    Kaufmann 1966 , 24n5, though Hell and Leuchtmann (1982 , 112) think he may have arrived later. In either case,
    Lasso ’ s chromatic Prophetiae Sibyllarum dates from 1550 to 1552 and may well show the influence of
    Vicentino.

  29. Vicentino 1996 , 313 – 314; see Boncella 1988 ; McKinney 2005.

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