Music and the Making of Modern Science

(Barré) #1

Notes to pages 161–173 301



  1. Peacock 1855 , 7, 22 – 23.

  2. Ibid. , 35 – 41; Robinson 2006 , 36 – 40.

  3. Cantor 2004 , 147 – 149.

  4. Regarding a Quaker doctor of the generation before Young, it was noted that “ music, dancing, the theatre,
    the opera, wine, women and song, gambling, attendance at cock-fights, bull-baitings, race meetings, all the rough
    hearty joys of the Englishman of the time were incompatible with the Quaker costume he wore ” ( Wood and
    Oldham 1954 , 35).

  5. Darrigol 2009 , 188n140; 2012, 167 – 168.

  6. Wood and Oldham 1954 , 49 – 50.

  7. Ibid. , 49.

  8. Peacock 1855 , 114.

  9. Ibid. , 115 – 120, at 118, 120.

  10. Ibid. , 121. Young himself attributed “ the ultimate extent of his uncle ’ s protection ” to Burke ’ s “ friendly and
    indulgent ” interest and his “ good offices ” ( Hilts 1978 , 251).

  11. Wood and Oldham 1954 , 50.

  12. Peacock 1855 , 129.

  13. Wood and Oldham 1954 , 65.

  14. Young 2002 , 4:613 – 631.

  15. See Euler 1837 , 1:34 – 56, 83 – 87, which first appeared in English in 1795, and Cantor 1983 , 117 – 123.

  16. The superb accounts in Darrigol 2009; 2012, 166 – 187, place Young in the larger context of this analogy.

  17. Young 2002 , 4:543.

  18. Ibid. For Euler ’ s statement of the analogy between sound and light, see Euler 1837 , 1:85.

  19. Newton ’ s rings appear even with incoherent light, thus allowing Young ’ s analogy with coherent musical
    tones to go forward, whereas other optical setups would depend on the issue of coherence. The centrality of
    coherence in Young ’ s thought is particularly emphasized in Kipnis 1991.

  20. Young 2002 , 4:565; he discusses the history of the organ at 1:404.

  21. Ibid. , 4:627.

  22. Ibid. , 4:544. For Tartini, see Polzonetti 2001; for his combination tones, see Helmholtz 1954, 152 – 159.

  23. Ibid. , 4:627.

  24. Ibid. , 4:546 – 547.

  25. Jackson 2006 , 172 – 176.

  26. See Young 2002 , 4:562 – 572, here quoted at 562, 565 – 567; Pesic 2013c gives a detailed discussion of Young ’ s
    treatment of this issue.

  27. Young 2002 , 4:633.

  28. See Pesic 2005 , 167 – 169.

  29. Young 2002 , 4:633; for his optometer, see 575 – 577.

  30. For his “ Letter to Mr. Nicholson ... Respecting Sound and Light, ” see Young 2002 , 4:607 – 612; for “ On the
    Theory of Light and Colours, ” see Young 2002 , 4:613 – 631.

  31. “ On the Theory of Light and Colours ” ( Young 2002 , 4:618 – 620); see also Cantor 1970a.

  32. Young 2002 , 4:617. In his next paper, “ An Account of Some Cases of the Production of Colours, ” Young
    will change these three primaries to red, green, and violet, whose ratios are as 7, 6, and 5, to meet Wollaston ’ s
    corrections of the spectral ratios.

  33. The Newton quote about “ the analogy of nature ” is cited at Young 2002 , 4:617; the following quotes come
    from 618.

  34. Young 2002 , 4:624 – 626 (emphasis in original). For the development of the technology of these gratings, see
    Jackson 2000.

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