314 References
Cappelli , Andrea , Elena Castellani , Filippo Colomo , and Paolo Di Vecchia , eds. 2012. The Birth of String Theory.
Cambridge : Cambridge University Press.
Cardano , Girolamo. 1967. Opera omnia. New York : Johnson Reprint.
Cardano , Girolamo. 1973. Writings on Music. Trans. Clement A. Miller. Rome : American Institute of
Musicology.
Cardano , Girolamo. 2007. The Great Art; or, The Rules of Algebra. Trans. T. Richard Witmer. Mineola, NY :
Dover.
Carlson , Chester F. 1965. History of electrostatic recording. In Xerography and Related Processes , ed. John H.
Dessauer and Harold E. Clark , 15 – 49. New York : Focal Press.
Carpenter , Nan Cooke. 1955. Music in the medieval universities. Journal of Research in Music Education
3 : 136 – 144.
Carr , Bernard , ed. 2007. Universe or Multiverse? Cambridge : Cambridge University Press.
Carrier , Martin. 1994. Geometric facts and geometric theory: Helmholtz and 20th-century philosophy of physical
geometry. In Universalgenie Helmholtz: R ü ckblich nach 100 Jahren , ed. Lorenz Kr ü ger , 276 – 291. Berlin : Akad-
emie Verlag.
Caspar , Max. 1993. Kepler. Trans. Clarisse Doris Hellman. New York : Dover.
Chladni , Ernst Florens Friedrich. 1809. Trait é d ’ acoustique. Paris : Courcier.
Chladni , Ernst Florens Friedrich. 1821. Weitere Nachrichten von dem neulich in der musikalischen Zeitung
erw ä hnten Chinesischen Blasinstrumente Tscheng oder Tschiang. Allgemeine Musikalische Zeitung
23 ( 22 ): 369 – 374.
Christensen , Dan C. H. 1995. The Orsted – Ritter partnership and the birth of Romantic natural philosophy. Annals
of Science 52 : 153.
Christensen , Dan Charly. 2013. Hans Christian Ø rsted: Reading Nature ’ s Mind. Oxford : Oxford University
Press.
Christensen , Thomas Street , ed. 2002. The Cambridge History of Western Music Theory. Cambridge : Cambridge
University Press.
Christensen , Thomas Street. 2011. Mersenne and the mechanics of musical proportion. In Proportions: Science,
musique, peinture & architecture , ed. Sabine Rommevaux , Philippe Vendrix , and Vasco Zara , 247 – 260. Turnhout :
Brepols.
Chua , Daniel K. L. 2001. Vincenzo Galilei, modernity, and the division of nature. In Music Theory and Natural
Order from the Renaissance to the Early Twentieth Century , ed. Suzannah Clark and Alexander Rehding , 17 – 29.
Cambridge : Cambridge University Press.
Chytil , Karel. 1904. Die Kunst in Prag zur Zeit Rudolf II. Prague : Verlage des Kunstgewerblichen Museums der
Handels- und Gewerbe-Kammer.
Clark , Suzannah , and Alexander Rehding , eds. 2001. Music Theory and Natural Order from the Renaissance to
the Early Twentieth Century. Cambridge : Cambridge University Press.
Clavius , Christoph. 1999. In Sphaeram Ioannis de Sacro Bosco commentarius. Hildesheim : Olms-Weidmann.
Cohen , Albert. 1981. Music in the French Royal Academy of Sciences: A Study in the Evolution of Musical
Thought. Princeton, NJ : Princeton University Press.
Cohen , David E. 2001. The “ Gift of Nature ” : Musical “ instinct ” and musical cognition in Rameau. In Music
Theory and Natural Order from the Renaissance to the Early Twentieth Century , ed. Suzannah Clark and Alex-
ander Rehding , 68 – 92. Cambridge : Cambridge University Press.
Cohen , H. Floris. 1984. Quantifying Music: The Science of Music at the First Stage of the Scientific Revolution,
1580 – 1650. Dordrecht : Reidel.
Cohen , H. Floris. 1994. The Scientific Revolution: A Historiographical Inquiry. Chicago : University of Chicago
Press.
Cohen , H. Floris. 2010. How Modern Science Came into the World: Four Civilizations, One 17th-Century
Breakthrough. Amsterdam : Amsterdam University Press.