References 327
Pesic , Peter. 2013b. Helmholtz, Riemann, and the sirens: Sound, color, and the “ problem of space. ” Physics in
Perspective 15 : 256 – 294.
Pesic , Peter. 2013c. Thomas Young ’ s musical optics: Translating between hearing and seeing. Osiris 28 : 15 – 39.
Pesic , Peter. 2014a. Bacon, violence, and the motion of liberty: The Aristotelian background. Journal of the
History of Ideas 75 : 69 – 90.
Pesic , Peter. 2014b. Thomas Young and eighteenth century tempi. Performance Practice Review 18 ( 1 ) http://
scholarship.claremont.edu/ppr/vol28/iss1/2.
Pesic , Peter. 2014c. Max Planck ’ s writings on music: A translation and commentary. Theoria 21.
Pesic , Peter. In preparation -a. The Polyphonic Mind.
Pesic , Peter. In preparation -b. Music, Science, Passion.
Peterson , Mark A. 2011. Galileo ’ s Muse: Renaissance Mathematics and the Arts. Cambridge, MA : Harvard
University Press.
Pirro , Andr é. 1973. Descartes et la musique. Geneva : Minkoff Reprint.
Pirrotta , Nino. 1984. Music and Culture in Italy from the Middle Ages to the Baroque: a Collection of Essays.
Cambridge, MA : Harvard University Press.
Planck , Max. 1893. Die nat ü rliche Stimmung in der modernen Vokalmusik. Vierteljahrsschrift f ü r Musikwis-
senschaft 9 : 418 – 444.
Planck , Max. 1899. Ü ber irreversible Strahlungsvorg ä nge. Sitzungsberichte der K ö niglich Preu ß ischen Akademie
der Wissenschaften zu Berlin 5 : 440 – 480.
Planck , Max. 1949. Scientific Autobiography and Other Papers. New York : Philosophical Library.
Planck , Max. 1958. Physikalische Abhandlungen und Vortr ä ge. Braunschweig : Vieweg.
Planck , Max. 1981. Where Is Science Going? Woodbridge, CT : Ox Bow Press.
Planck , Max. 1998. Eight Lectures on Theoretical Physics. Ed. Peter Pesic , trans. A. P Wills. Mineola, NY :
Dover.
Plato. 2006. The Republic. Trans. R. E. Allen. New Haven, CT : Yale University Press.
Pollitt , J. J. 1972. Art and Experience in Classical Greece. Cambridge : Cambridge University Press.
Polzonetti , Pierpaolo. 2001. Tartini e la musica secondo natura. Lucca : LIM.
Principe , Lawrence. 2013. The Secrets of Alchemy. Chicago : University of Chicago Press.
Proceedings of the Royal Institution. 1829. Quarterly Journal of Science 27 : 379 – 380.
Ptolemy. 1998. Ptolemy ’ s Almagest. Trans. G. J. Toomer. Princeton, NJ : Princeton University Press.
Quintilianus , Aristides. 1983. On Music, in Three Books. Trans. Thomas J. Mathiesen. New Haven : Yale Uni-
versity Press.
Raasted , J ø rgen. 1979. A neglected version of the anecdote about Pythagoras ’ s hammer experiments. Cahiers de
l ’ Institut du moyen- â ge grec et latin 31a – 31b : 1 – 9.
Rasch , Rudolf. 2002. Why were enharmonic keyboards built? From Nicola Vicentino (1555) to Michael
Bulyowsky (1699). Schweizer Jahrbuch f ü r Musikwissenschaft 22 : 35 – 93.
Rasch , Rudolf. 2008. Simon Stevin and the calculation of equal temperament. In Music and Mathematics: In
Late Medieval and Early Modern Europe , ed. Philippe Vendrix , 253 – 320. Turnhout : Brepols.
Rayleigh , John William Strutt. 1945. The Theory of Sound , 2nd ed. New York : Dover.
Recorde , Robert. 1557. The Whetstone of Witte. London.
Rehding , Alexander. 2003. Hugo Riemann and the Birth of Modern Musical Thought. Cambridge : Cambridge
University Press.
Rehding , Alexander. 2014. Of sirens old and new. In The Oxford Handbook of Mobile Music , ed. Sumanth S.
Gopinath and Jason Stanyek. Oxford : Oxford University Press.
Reichenbach , Hans. 1970. The philosophical significance of the theory of relativity. In Albert Einstein: Philos-
opher-Scientist , ed. Paul Arthur Schilpp , 3rd ed. , 289 – 311. La Salle, IL : Open Court.