Music and the Making of Modern Science

(Barré) #1

Portions of this book appeared originally in the following journals, which have kindly
given permission for the appearance of the material here: Interdisciplinary Science Reviews
( © 2006 Institute of Materials, Minerals, and Mining); Isis and Osiris ( © The History
of Science Society, University of Chicago Press, 2010, 2013); Journal of Seventeenth-
Century Music (http://www.sscm-jscm.org/) [11, 1 (2005)] ( © 2005 University of Illinois
Press); Mathematical Intelligencer ( © 2000, 2013 Springer Science + Business Media
New York); and Physics in Perspective ( © 2013 Springer Basel AG).
Permission for the use of the figures has kindly been given by the following: The
American Institute of Musicology, Verlag Corpusmusicae, GmbH (boxes 3.1, 3.2); ATLAS
experiment © 2013 CERN (fig. 18.4b); Biblioth è que nationale de France (figs. 2.1, 2.2);
British Museum (fig. 4.6); John Carter Brown Library at Brown University (fig. 3.2b);
Syndics of the Cambridge University Library (fig. 8.1); Collection of Historical Scientific
Instruments, Harvard University (figs. 6.1, 14.9, 14.10b); Deutsches Museum, Munich
(figs. 12.3, 17.1); Keith B. MacAdam (fig. 18.1); George Peabody Library, The Sheridan
Libraries, The Johns Hopkins University (figs. 9.4, 9.5, 10.2, 12.5a – b, 13.8a – c, 13.9a,
13.10a – c, 13.11, 16.1b); Huntington Library, San Marino, California (figs. 4.1 [Hunting-
ton, RB67813], 4.2 [Huntington, RB 707254]); Royal Institution (fig. 13.12); Anne Smith,
The Performance of Sixteenth-Century Music (2011), by permission of Oxford University
Press, USA (figs. 5.2b, 5.5); Springer-Verlag (fig. 8.3a); Marco Tiella (fig. 4.5a); and
Warburg Institute (fig. 7.2a). Special thanks to Alexei Pesic for his expert help in preparing
the figures.


Sources and Illustration Credits

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