The Facts on File Companion to British Poetry Before 1600

(coco) #1
497

C D


indeX


Note: Boldface page numbers
indicate major treatment of
a topic. Numbered sonnets
within a sequence are listed in
numerical order.


A
accentual verse 1, 272, 355,
422
acrostic 1, 140, 171, 197, 426
“Adam Lay Bound” 1–2, 272
“Ad Dominum.” See Sidneian
Psalms: Psalm 120 (Herbert)
“Adieu, Farewell Earth’s Bliss”
(Nashe). See “Litany in Time
of Plague, A” (Nashe)
“Admonition, by the Author,
The” (Whitney) 2–3, 302
Aelfred the Great. See Alfred
the Great
Aeneid (Virgil) 4, 85, 118, 173,
174, 220, 248, 339, 429, 450
Aesop 76, 118, 172, 257, 273,
278, 279, 281, 292, 468
Affectionate Shepherd, The
(Barnfield) 74, 450
“After so long a race as I have
run” (Spenser). See Amoretti:
Sonnet 80 (Spenser)
“Agincourt Carol, The” 3–4,
104, 221
“Ah no; nor I myself: though
my pure love” (Barnfield). See
Cynthia, with Certain Sonnets:
Sonnet 19 (Barnfield)
Alamanni, Luigi 276, 277
“Alas, whence came this change
of lookes? If I” (Sidney). See
Astrophil and Stella: Sonnet 86
(Sidney)


“Alas so all things now do hold
their peace... ” (Surrey) 4
alba 5, 69
Alciati, Andrea 162
Aldhelm 5, 26, 80
Alexander A 118
Alexander B 118
Alexander the Great 116,
117–118
alexandrine 5, 129
Alfred the Great 5–6, 25, 298
Meters of Boethius 26,
267–268, 480
metrical preface to the
Pastoral Care 6, 26,
269–270
translations by 6, 87,
267–268, 449
“Alisoun” 6–7, 231
allegoresis 7–8
allegory 7–9, 193
Allen, Rosamund 235
alliteration 9
in accentual verse 1
in “Alisoun” 6
in Anglo-Saxon poetry 9,
10, 26, 27, 272
and bob-and-wheel 86, 409
by Campion (Thomas) 222
by Dunbar (William) 152
in early Irish verse 156
by Gawain-poet 9, 10, 203,
213, 412
half-line and 9, 213
by Henryson (Robert) 216
by Heywood (John) 71
in Middle English poetry 9,
10, 11, 29, 272, 273
by Minot (Laurence) 277,
408

in “An Old Man’s Prayer”
298
by Poets of the Princes 332
by Raleigh (Sir Walter) 417
by Shakespeare (William)
9, 363, 384
by Sidney (Sir Philip) 41,
58, 64, 109
in Skeltonics 418
alliterative revival 9–11, 33,
203, 213, 273, 314, 320, 426
All Ovid’s Elegies (Marlowe) 265
“Alysoun.” See “Alisoun”
Amores (Ovid) 118, 129, 217,
265, 302
Amoretti (Spenser) 11–23, 85,
142, 173, 317, 421, 424
Amoretti: Sonnet 1 (Spenser) 13
Amoretti: Sonnet 4 (Spenser)
13–14
Amoretti: Sonnet 13 (Spenser)
14
Amoretti: Sonnet 15 (Spenser)
12, 15
Amoretti: Sonnet 22 (Spenser)
15–16, 21
Amoretti: Sonnet 30 (Spenser)
16
Amoretti: Sonnet 34 (Spenser)
283
Amoretti: Sonnet 37 (Spenser)
17
Amoretti: Sonnet 46 (Spenser)
17
Amoretti: Sonnet 54 (Spenser)
17–18
Amoretti: Sonnet 62 (Spenser)
18
Amoretti: Sonnet 64 (Spenser)
19, 158

Amoretti: Sonnet 65 (Spenser)
19–20
Amoretti: Sonnet 66 (Spenser)
20
Amoretti: Sonnet 67 (Spenser)
20–21
Amoretti: Sonnet 68 (Spenser)
21
Amoretti: Sonnet 74 (Spenser)
21–22
Amoretti: Sonnet 75 (Spenser)
22
Amoretti: Sonnet 79 (Spenser)
22
Amoretti: Sonnet 80 (Spenser)
11, 13, 22–23
amor hereos. See lovesickness
amour courtois. See courtly love
Amours (Drayton). See Ideas
Mirrour (Drayton)
amplification 23, 33, 65, 355
anacreontics 11
anagogy 8, 23, 455
anapestic foot 1
anaphora 23, 41, 57, 71, 128,
305
“And call ye this to utter what
is just” (Herbert). See Sidneian
Psalms: Psalm 58 (Herbert)
“And now she begins to
see”(Mary, Queen of Scots).
See Casket Letters: Sonnet 3
(Mary, Queen of Scots)
Andreas Capellanus 23
The Art of Courtly Love 23,
32, 131, 302, 413
on lovesickness 254
and Wyatt (Sir Thomas)
188
“And Wilt Thou Leave Me Thus”
(Wyatt) 23–24
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