Computer Arts - USA (2019-09)

(Antfer) #1

Icelandic artist Kristjana S Williams
studied graphic design and illustration at
Central Saint Martins and quickly gained
critical acclaim as creative director of
Beyond the Valley for eight years.
In 2011, Williams began creating fine art
pieces, art prints, furniture and more. Her
inspiration comes primarily from layering
nature upon nature and “the symmetry
in all things living”, which stems from the
artist’s childhood.
Williams supports her artistic
practice by producing a growing
collection of homeware and interior
products including wall coverings,
fabric and cushions sold on her personal
website, and via brand collaborations.
She has a particular interest in heritage
brands and narrative-based artworks,
fusing rich colours and hints of
Victorian engraving to illustrate their
rich history. “Clients like and respect
the narrative aspect of our work and


the in-depth research behind it. I don’t
really license my work because of the
bespoke nature of most of the heritage
brand work I do. It’s best suited to
narrative, which is what I really thrive
on – whether it’s a commercial or client
commission or private commission.”

PENHALIGON PERFUME
In 2016, renowned British perfume
house Penhaligon commissioned
Williams to create bespoke narrative-
based packaging illustrations for
the brand’s new range of fragrances,
after the head director came across
her artwork in the Connaught Hotel.
“They wanted to create a new collection
that was based on this make-believe
aristocratic family,” says Williams.
“Their team had already gathered a lot
of history and had been thinking about
the packaging for ages – writing down
ideas.” The products sold so well that

Penhaligon grew and expanded the
collection. It’s a creative collaboration
that continues to this day. “I think
it often depends on the commercial
success of the product and how
successfully you meet the brief,”
adds Williams.

COLLABORATION
As a part of the commission, Williams
designed a number of large-scale
artworks to appear in store windows
and at point-of-sale, promoting the
new collection in boutiques throughout
the world. “The process was very
collaborative and I really enjoy working
with feedback, so all the information
we get I use to fuel my creativity,” she
continues. “With packaging, you have to
be mindful of layouts and folds and how
the artwork works on this surface, but I
think the more you do it the better at it
you get. We always make up everything

COMPUTERARTS.CREATIVEBLOQ.COM

KRISTJANA S WILLIAMS


HERITAGE-INSPIRED FINE ART WITH A CONTEMPORARY TWIST 


KRISTJANA S WILLIAMS PHOTOGRAPHED BY LEIGH KELLY
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