The Writing Experiment by Hazel Smith

(Jos van der Sman) #1

inverts, subverts and crosses over genres. In Chapters 10 and 11 we also will
see how genre resituates and extends itself even further in performance and
cyberspace.


REFERENCES


Atwood, M. 1982, Lady Oracle , Virago Press, London. First published in 1977 by
André Deutsch Limited, Great Britain.
Auster, P. 2002, The Book of Illusions , Henry Holt & Co., New York.
Barthelme, D. 1993, ‘The Balloon’, 60 Stories , Penguin, Harmondsworth, Middle-
sex, pp. 53–8.
Belsey, C. 2002, Critical Practice , 2nd edn, Routledge, London. First published in
1980 by Methuen.
Carter, A. 1981, The Magic Toyshop , Virago, London. First published in 1967 by
William Heinemann.
DeLillo, D. 1986, White Noise ,Picador,London.
Dransfield, M. 1991, ‘A Strange Bird’, The Penguin Book of Modern Australian
Poetry
, (eds) J. Tranter and P. Mead, Penguin Books Australia, Ringwood,
Victoria.
Grenville, K. and Woolfe, S. (eds) 1993, Making Stories: How Ten Australian Novels
Were Written
, Allen & Unwin, Sydney.
Plath, S. 1981, ‘Words’, Collected Poems ,Faber & Faber,London.
Tan, A. 1998, ‘Mirror’, unpublished.
Williams, W.C. 1976, ‘The Red Wheelbarrow’, S elected Poems , Penguin, Har-
mondsworth, Middlesex.


Genre as a moveable feast 47
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