Peter is Digital
Photographer
magazine’s
staff writer
and a general
photography
expert! In this issue, he’s covered
composition, a crucial skill that all
photographers simply must master.
You can find his feature on p36 of the
magazine. He’s also written some
advice for websites on p78.
Website:
digitalcameraworld.comPETER
FENECHOur contributors
©Lee FrostFuture PLC Richmond House, 33 Richmond Hill,
Bournemouth, Dorset, BH2 6EZ
Editorial
Editor Matt Bennett
[email protected]
01202 586286
Senior Designer Neo Phoenix
Production Editor James Price
Staff Writer Peter Fenech
Senior Art Editor Rebecca Shaw
Content Director Chris George
Photographer Bath Photo Studio
Contributors
Tom Calton, Mercedes Castillo Sánchez, Lee Frost,
Joshua Jackson, Bogdan Maris, Dan Mold, Angela Nicholson,
Matthew Richards, Simon Skellon, Brooke Shaden
Main cover image
© Gettyimages
Advertising
Media packs are available on request
Commercial Director Clare Dove
[email protected]
Advertising Manager Michael Pyatt
[email protected]
+44 (0)1225 687538
Account Manager Matt Bailey
[email protected]
+44 (0)1225 687511
International Licensing
Digital Photographer is available for licensing. Contact the
Licensing team to discuss partnership opportunities.
Head of Print Licensing Rachel Shaw
[email protected]
Subscriptions
Email enquiries [email protected]
UK orderline & enquiries 0344 848 2852
Overseas order line and enquiries +44 (0) 344 848 2852
Online orders & enquiries http://www.myfavouritemagazines.co.uk
Group Marketing Director Sharon Todd
Circulation
Head of Newstrade Tim Mathers
Production
Head of Production Mark Constance
Production Project Manager Clare Scott
Advertising Production Manager Joanne Crosby
Digital Editions Controller Jason Hudson
Production Manager Vivienne Calvert
Management
General Manager Matthew Pierce
Head of Art & Design Rodney Dive
!ǝǣƺǔ!ȒȇɎƺȇɎ
ǔˡƬƺȸ Aaron Asadi
Printed by William Gibbons & Sons Ltd, 26 Planetary Road,
Willenhall, WV13 3XB
Distributed by Marketforce, 5 Churchill Place, Canary Wharf,
London, E14 5HU http://www.marketforce.co.uk Tel: 0203 787 9001
ISSN 1477-
We are committed to only using magazine paper which is derived f rom
ȸƺɀȵȒȇɀǣƫǼɵȅƏȇƏǕƺƳًƬƺȸɎǣˡƺƳǔȒȸƺɀɎȸɵƏȇƳƬǝǼȒȸǣȇƺٮǔȸƺƺȅƏȇɖǔƏƬɎɖȸƺِ
The paper in this magazine was sourced and produced f rom sustainable
managed forests, conforming to strict environmental and socioeconomic
standards. The manufacturing paper mill holds full FSC (Forest Stewardship
!ȒɖȇƬǣǼ٣ƬƺȸɎǣˡƬƏɎǣȒȇƏȇƳƏƬƬȸƺƳǣɎƏɎǣȒȇ
All contents © 2018 Future Publishing Limited or published under licence. All rights reserved. No part of this magazine may be used, stored,
transmitted or reproduced in any way without the prior written permission
of the publisher. Future Publishing Limited (company number 2008885)
ǣɀȸƺǕǣɀɎƺȸƺƳǣȇ0ȇǕǼƏȇƳƏȇƳáƏǼƺɀِ«ƺǕǣɀɎƺȸƺƳȒǔˡƬƺيªɖƏɵRȒɖɀƺًÁǝƺ
Ambury, Bath BA1 1UA. All information contained in this publication is for
information only and is, as far as we are aware, correct at the time of going
to press. Future cannot accept any responsibility for errors or inaccuracies
in such information. You are advised to contact manufacturers and retailers
directly with regard to the price of products/services referred to in this
publication. Apps and websites mentioned in this publication are not under
our control. We are not responsible for their contents or any other changes ȒȸɖȵƳƏɎƺɀɎȒɎǝƺȅِÁǝǣɀȅƏǕƏɿǣȇƺǣɀǔɖǼǼɵǣȇƳƺȵƺȇƳƺȇɎƏȇƳȇȒɎƏǔˡǼǣƏɎƺƳǣȇ
any way with the companies mentioned herein.
If you submit material to us, you warrant that you own the material and/
or have the necessary rights/permissions to supply the material and
you automatically grant Future and its licensees a licence to publish
your submission in whole or in part in any/all issues and/or editions of
publications, in any format published worldwide and on associated websites,
social media channels and associated products. Any material you submit is
sent at your own risk and, although every care is taken, neither Future nor
its employees, agents, subcontractors or licensees shall be liable for loss or damage. We assume all unsolicited material is for
publication unless otherwise stated, and reserve the right to edit, amend,
adapt all submissions.Future plc is a public company quoted on the
London Stock Exchange (symbol: FUTR)
http://www.futureplc.comChief executiveChairman Richard Huntingford Zillah Byng-Thorne
!ǝǣƺǔˡȇƏȇƬǣƏǼȒǔˡƬƺȸ Penny Ladkin-Brand
Tel +44 (0)1225 442 244Regular readers
will know that
Matthew is our
resident group
test reviewer of
cameras and
lenses, and in this issue he has taken
a look at the age-old Canon versus
Nikon debate, pitting two mirrorless
models from each company against
each other. Head over to p96 of the
magazine to read his review.
Website:
matthewrichards.ukMATTHEW
RICHARDS
In this issue, our
regular camera
gear expert Angela
Nicholson takes a
look at the Canon
EOS 250D. Does
this camera make a case for DSLRs in
an age of mirrorless? Turn to p104 of
the magazine to discover her findings.
She’s also reviewed Canon’s G7 X
Mark III on p108, as well as a batch of
accessories on p110.
Website:
angelanicholson.comANGELA
NICHOLSONDan writes for
our sister title,
Photo Plus,
and he’s written
extensively about
photography for
a number of years, especially about
the use of Photoshop and Lightroom.
In this issue, he’s put together a guide
to editing your images in the most
professional way possible. Head over
to p64.
Website:
digitalcameraworld.comDAN
MOLD
Our creative
project is intended
to show you how
to produce striking
pictures, revealing
the shooting
and editing steps that can lead to
incredible pieces. Brooke Shaden is a
master of striking portraits, and in this
issue she’s taken us behind the scenes
on one of her shoots. Head over to p
to begin reading it.
Website:
brookeshaden.comBROOKE
SHADENIn this issue, all-
round photography
guru Lee Frost
is back to show
you more ways
to improve your
photography. This time, he’s chosen to
cover the art of working with aperture.
He’s looked at ten ways to get the
best from this essential aspect of
photography, which you can find on
p50 of the magazine.
Website:
leefrost.co.ukLEE
FROSTWe are committed to only using magazine paper which is derived from responsibly
managed, certified forestry and chlorine-free
manufacture. The paper in this magazine was sourced and produced from sustainable
managed forests, conforming to strict
environmental and socioeconomic standards.
The manufacturing paper mill and printer hold full FSC and PEFC certification and accreditation.4PeterisDigital
Photographer
magazine’s
staffwriter
anda general
photography
expert!Inthisissue,he’scovered
composition,a crucialskillthatall
photographerssimplymustmaster.
Youcanfindhisfeatureonp36ofthe
magazine.He’salsowrittensome
adviceforwebsitesonp78.
Website:
digitalcameraworld.com
PETER
FENECHOur contributors
©Lee FrostFuture PLC Richmond House, 33 Richmond Hill,
Bournemouth, Dorset, BH2 6EZ
Editorial
Editor Matt Bennett
[email protected]
01202 586286
Senior Designer Neo Phoenix
Production Editor James Price
Staff Writer Peter Fenech
Senior Art Editor Rebecca Shaw
Content Director Chris George
Photographer Bath Photo Studio
Contributors
Tom Calton, Mercedes Castillo Sánchez, Lee Frost,
Joshua Jackson, Bogdan Maris, Dan Mold, Angela Nicholson,
Matthew Richards, Simon Skellon, Brooke Shaden
Main cover image
© Gettyimages
Advertising
Media packs are available on request
Commercial Director Clare Dove
[email protected]
Advertising Manager Michael Pyatt
[email protected]
+44 (0)1225 687538
Account Manager Matt Bailey
[email protected]
+44 (0)1225 687511
International Licensing
Digital Photographer is available for licensing. Contact the
Licensing team to discuss partnership opportunities.
Head of Print Licensing Rachel Shaw
[email protected]
Subscriptions
Email enquiries [email protected]
UK orderline & enquiries 0344 848 2852
Overseas order line and enquiries +44 (0) 344 848 2852
Online orders & enquiries http://www.myfavouritemagazines.co.uk
Group Marketing Director Sharon Todd
Circulation
Head of Newstrade Tim Mathers
Production
Head of Production Mark Constance
Production Project Manager Clare Scott
Advertising Production Manager Joanne Crosby
Digital Editions Controller Jason Hudson
Production Manager Vivienne Calvert
Management
General Manager Matthew Pierce
Head of Art & Design Rodney Dive
!ǝǣƺǔ!ȒȇɎƺȇɎ
ǔˡƬƺȸ Aaron Asadi
Printed by William Gibbons & Sons Ltd, 26 Planetary Road,
Willenhall, WV13 3XB
Distributed by Marketforce, 5 Churchill Place, Canary Wharf,
London, E14 5HU http://www.marketforce.co.uk Tel: 0203 787 9001
ISSN 1477-
We are committed to only using magazine paper which is derived f rom
ȸƺɀȵȒȇɀǣƫǼɵȅƏȇƏǕƺƳًƬƺȸɎǣˡƺƳǔȒȸƺɀɎȸɵƏȇƳƬǝǼȒȸǣȇƺٮǔȸƺƺȅƏȇɖǔƏƬɎɖȸƺِ
The paper in this magazine was sourced and produced f rom sustainable
managed forests, conforming to strict environmental and socioeconomic
standards. The manufacturing paper mill holds full FSC (Forest Stewardship
!ȒɖȇƬǣǼ٣ƬƺȸɎǣˡƬƏɎǣȒȇƏȇƳƏƬƬȸƺƳǣɎƏɎǣȒȇ
All contents © 2018 Future Publishing Limited or published under licence. All rights reserved. No part of this magazine may be used, stored,
transmitted or reproduced in any way without the prior written permission
of the publisher. Future Publishing Limited (company number 2008885)
ǣɀȸƺǕǣɀɎƺȸƺƳǣȇ0ȇǕǼƏȇƳƏȇƳáƏǼƺɀِ«ƺǕǣɀɎƺȸƺƳȒǔˡƬƺيªɖƏɵRȒɖɀƺًÁǝƺ
Ambury, Bath BA1 1UA. All information contained in this publication is for
information only and is, as far as we are aware, correct at the time of going
to press. Future cannot accept any responsibility for errors or inaccuracies
in such information. You are advised to contact manufacturers and retailers
directly with regard to the price of products/services referred to in this
publication. Apps and websites mentioned in this publication are not under
our control. We are not responsible for their contents or any other changes ȒȸɖȵƳƏɎƺɀɎȒɎǝƺȅِÁǝǣɀȅƏǕƏɿǣȇƺǣɀǔɖǼǼɵǣȇƳƺȵƺȇƳƺȇɎƏȇƳȇȒɎƏǔˡǼǣƏɎƺƳǣȇ
any way with the companies mentioned herein.
If you submit material to us, you warrant that you own the material and/
or have the necessary rights/permissions to supply the material and
you automatically grant Future and its licensees a licence to publish
your submission in whole or in part in any/all issues and/or editions of
publications, in any format published worldwide and on associated websites,
social media channels and associated products. Any material you submit is
sent at your own risk and, although every care is taken, neither Future nor
its employees, agents, subcontractors or licensees shall be liable for loss or damage. We assume all unsolicited material is for
publication unless otherwise stated, and reserve the right to edit, amend,
adapt all submissions.Future plc is a public company quoted on the
London Stock Exchange (symbol: FUTR)
http://www.futureplc.comChief executiveChairman Richard Huntingford Zillah Byng-Thorne
!ǝǣƺǔˡȇƏȇƬǣƏǼȒǔˡƬƺȸ Penny Ladkin-Brand
Tel+44(0)1225 442244Regular readers
will know that
Matthew is our
resident group
test reviewer of
cameras and
lenses,andinthisissue he has taken
a look at the age-old Canon versus
Nikon debate, pitting two mirrorless
models from each company against
eachother.Headovertop96ofthe
magazinetoreadhisreview.
Website:
matthewrichards.ukMATTHEW
RICHARDS
In this issue, our
regular camera
gear expert Angela
Nicholson takes a
look at the Canon
EOS 250D. Does
thiscameramake a case for DSLRs in
an age of mirrorless? Turn to p104 of
the magazine to discover her findings.
She’s also reviewed Canon’s G7 X
MarkIIIonp108,aswellasa batchof
accessoriesonp110.
Website:
angelanicholson.comANGELA
NICHOLSONDan writes for
our sister title,
Photo Plus,
and he’s written
extensively about
photography for
a numberofyears, especially about
the use of Photoshop and Lightroom.
In this issue, he’s put together a guide
to editing your images in the most
professional way possible. Head over
to p64.
Website:
digitalcameraworld.comDAN
MOLD
Our creative
project is intended
to show you how
to produce striking
pictures, revealing
the shooting
andeditingstepsthat can lead to
incredible pieces. Brooke Shaden is a
master of striking portraits, and in this
issue she’s taken us behind the scenes
on one of her shoots. Head over to p
to begin reading it.
Website:
brookeshaden.comBROOKE
SHADENIn this issue, all-
round photography
guru Lee Frost
is back to show
you more ways
to improve your
photography.This time, he’s chosen to
cover the art of working with aperture.
He’s looked at ten ways to get the
best from this essential aspect of
photography,whichyoucanfindon
p50ofthemagazine.
Website:
leefrost.co.uk
LEE
FROSTWe are committed to only using magazine paper which is derived from responsibly
managed, certified forestry and chlorine-free
manufacture. The paper in this magazine was sourced and produced from sustainable
managed forests, conforming to strict
environmental and socioeconomic standards.
The manufacturing paper mill and printer hold full FSC and PEFC certification and accreditation.4