The Canon Magazine 45
notice with my 70-200mm f/2.8L,
but I don’t lose sleep over it. Even
the best lenses do not have
completely even coverage across
the frame. I knew that by using
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I could correct the darkening of the
corners at the Raw conversion
stage, but I suspected I would
choose not to: the effect
concentrates the view and provides
an oh-so-subtle as to be barely
visible internal frame. I very rarely
use the in-built lens corrections; all
such adjustments modify or throw
away pixels, so I stick to my
post-production ethos of the less
I do to an image the better.DAVID
NOTON
Pro travel &
landscape
photographerDAVID IS AN AWARD-WINNING Canon photographer
with more than 30 years’ professional experience. During
his career David has travelled to just about every corner
of the globe. In 2012, Canon invited David into its
Ambassador Program by designating him an Official Canon
Explorer. Info and photos at http://www.davidnoton.comRush, rush, rush: it’s the story of our
lives. If it weren’t for the joy of photography
it’s unlikely I’d be there in the first place