The Sunday Times - UK (2022-04-03)

(Antfer) #1
The Sunday Times April 3, 2022 V2 25

COMMENT


DVDs, do we? No one’s
virtually — or otherwise —
barging into your front room
demanding confirmation that
you’ve watched and
understood the implied
textual meaning of Bruce
Willis’s entire back catalogue
as your groaning shelves and
Death Becomes Her poster
would suggest.
And — apart from “Keep
your eye on your own page,
pal” — I’ll say one more thing
in defence of the Tisdales:
whether they read every one
of those 400 pretty books or
not, they probably put a
suitcaseful of cash into a
local bookshop. We readers
of the world should be
carrying them around on
our shoulders.

To read or not to read? That is
the trick question, revealed
last week when the American
actress and singer Ashley
Tisdale outed herself as a
buyer, but not necessarily a
reader, of books. Many were
aghast when she was shown
in front of her gigantic
bookshelves, saying that — in
preparation for a magazine
photoshoot — she had sent
her husband out to buy 400
books because she didn’t
have enough of her own to fill
them.
Books as props that she
didn’t necessarily plan to
read? That were just for how
they looked? The moral fabric
began to come undone at
speed. At the other end of the
spectrum — and also

frequently provoking fury —
are the voracious readers
who share the towering pile
of books they’ve completed
at speed. No way, holler the
detractors. They didn’t read
them properly!
Our culture is often
powered by outrage, but
what is it about books, and
reading, that so spectacularly
winds everyone up? Who
does it; who doesn’t; who
says they don’t but do; or do
but don’t — my word, it’s
more loaded than sex. Is it
about class? Intellectual
elitism (we haven’t even got
into acceptable genres, a
whole other hellscape of
judgment)?
We don’t, for example,
have the same approach to

Buying 400 books is better than not


buying 400 books — ask an author


A Twitter thread sharing the
stories behind the most
irrational, volcanic toddler
tantrums went viral last week
— and, four weeks into the
terrible twos with my own
son, I can relate.
My recent crimes and
provocations have included:
singing along to the radio,
putting on the exact cartoon
that was requested, starting
to brush my teeth seconds
before he did and trying to
convince him to eat his
spaghetti with a fork rather
than a knife.
As he fixes me with that
steely gaze, starts to chant,
“No, no” — with a third and
final “no” being delivered as a
blood-curdling scream — I
think, boy, I’ve thrown some
wobblers in my time, but I
have nothing on him. What a
kid (yes, that’s pride you
detect).

A little glimpse of the
Newark state of mind

It may be a swathe of
England sandwiched thick
and fat between the north
and the south, but for
many the Midlands lacks an
identity or even grating
stereotype.
Many of the accents are
unfamiliar to the ear, the
slang is often crackers and the
characters are just a shade
away from relatable (though
always real).
And there’s a world of
difference between a city like
Birmingham and the proper
weird and quietly wonderful
market towns dotted in the
country’s middle.

Watching the new sitcom
Newark Newark — written by a
Newark-on-Trent native,
Nathan Foad — after
mounting word of mouth last
week, I was transported
home to my own East
Midlands market town.
It nails the yearning, the
claustrophobia, the flat-out
oddness and the inescapable
warmth. The absolute
hilarity, expressed like no one
nowhere else.
I’m going to assume
everyone from above and
below us is scratching their
heads, completely baffled.
How does it feel, ducks?

April ... fuel —
there must be
a joke in there

April 1 had barely dawned
when it squashed under our
collective heel: what’s the
point, people said. After all,
we’re already living in a
totally surreal and messed-up
reality (ha-ha, the energy
price cap will rise 54 per
cent!). Why heap on more of
the same for supposed fun?
Yep, not only is satire
apparently dead, but so are
April fools. I’ve got to say,
though: after spending an
entire day on hold to my
energy company as if it was
my first Glastonbury ticket
run, I needed it. The kind of
lame, kind of funny
marketing guff from a burger
chain or kitchen towel
company or crisps brand —
what else are we to do while
our chancellor decisively
steps in to stop pensioners
and kids freezing?
Gotcha! April fool!

NEWMAN’S
VIEW

Terri White


Week ending


Crazy little
thing called a
two-year-old

Will Smith’s slap overshadowed the real


scandal — that he won an Oscar at all


Camilla Long


What is the difference
between Putin and a
St Tropez socialite circa
2003?
Answer: nothing.
Both are obsessed with
image, both have strange,
puffy, steroidal faces, both
employ more doctors than a
mid-sized town. We learn
from a Russian news site that
in 2019 Putin was averaging
nine medics “on his visits to
Sochi”, where he has a
palace in a compound 39
times bigger than Monaco.
I cannot tell you how much
rich people obsess about
staying younger longer — it is
all they have to do. Vampire
facials, the foreskins of baby
lambs injected into one’s
cheekbones, building a
“villa” with a motorway, port,
no-fly-zone, strip dens and
an “aquadiscotheque” — now
money is no object, they will
try anything to get high.
In the past decade Putin
has transitioned, mentally,
from semi-functional judo-
loving head of state to the
insane third wife of a Filipino
billionaire. He is attended by
a retinue of doctors and
indulges in a series of ever
more bonkers treatments to
improve his “male potency”.
These include “deer antler
baths”, for which young male
deer have their fresh antlers
hacked off to produce a
blood extract put in a bath.
I cannot think of a more
barbaric and frankly pathetic
way of shoring up one’s
boner, except, of course,
unnecessarily storming
another country.

Vlad has rich
man’s disease:
a love of mad

I health fads


don’t think there can be a single
person who watched Will Smith
lamping Chris Rock at the Oscars
last Sunday who didn’t think it was
a hilarious comeuppance for the
insufferable clowns of Hollywood.
It’s not that I don’t take assault
seriously — the 30 seconds itself was
horrible to watch. It’s just pure joy to
discover that people who spend their
lives pretending they are better than
other people are, in fact, worse.
Over the past five years we have
endured political chaos, a frightening
pandemic, economic instability and,
now, the possibility of world war, but the
painted twerps of Tinseltown have been
frivolously obsessed with one thing only:
victimhood and race.
We have felt broken and
disenfranchised, sitting in our homes
and lonely bedrooms, but somehow we
have also had to put up with these glossy
bedwetters lecturing us divisively from
their stupid glassy tombs about
“standing in hate against love”.
Do you remember the year they all
brought a brown person to the Golden
Globes and showed them off as if they
were a bag or a shoe?
The Oscars itself has become a
ludicrous shell of PR twaddle and
nothingness in its scramble to satisfy
every minority audience. It is almost as
if the more you shriek about inequality
but don’t really mean it, the less
genuine and meaningful everything
about it seems.
On Sunday it was unwatchable: not a
single award deserved, not a single film
of real quality, all awards meted out
according to who would look best
receiving them rather than who actually
did good work.
The ridiculous Jessica Chastain,
receiving the Oscar for best actress, in an
outfit that, to paraphrase Dolly Parton,
must have taken a lot of money to look
that cheap, actually made her speech
about suicide.
I personally didn’t think I could sit
through another second of this boring,
bland, self-congratulatory, content-free,
box-ticking ceremonial pap without an
outbreak of serious violence, so for that
at least I am grateful to Smith.
What happened was simply
astonishing, though — laugh-out-loud

mad. It was as if all Smith’s wild
Scientology urgings came out in one
intense Thetan rush.
We know Smith is impulsive — he
cannot stop talking about his open
marriage, telling GQ he took a journey to
find himself that involved more than a
dozen ayahuasca seshes in Peru, plus
seeing an intimacy coach to discuss the
“harem of girlfriends” he would like to
have including Halle Berry and the
muscular ballet dancer Misty Copeland.
But even by his standards this seemed
way beyond the usual routine of doing a
Facebook Live session to talk to his wife
about the time that she shagged
someone else.
If you watch footage of the actor, you
can see he was nervous. Straight-
backed, tense, with Jada Pinkett Smith,
his wife, next to him in that snail-vomit
dress. A kind of “GI Jane” look, joked
Rock, a crappy filler joke for a crappy
filler event. Maybe Rock didn’t know
Pinkett Smith had alopecia, but even if
he did, so what? The first thing he said to
her was: “Jada, I love you.”
Smith gets up, strides to the front and
smacks “the shit” out of Rock before
returning to his place and tearfully
giving an Oscar acceptance speech in
which he tells people he believes in
peace and love and wants to be “a river
to my people”.
It is peerless: the single most
astonishing television event of the year.
Will Smith and his wife spoke of
“choosing chaos” in an online
video ahead of the Oscars

Remarkable, of course, not only because
Smith is the first rapper/global
humanitarian/legacy dancer to have
been given an Oscar for best actor, but
because he is also the first black man in
America to hit someone in full view of
the police and not get shot, “restrained”,
strip-searched, chased or even arrested.
Why wasn’t he arrested? What were
the cops doing? In the days after the
drama a stream of producers were
seconded to give explanations. The
police were there, said one, but Rock
refused to press charges, thereby
“saving” the event, as if that somehow
made Smith’s thump less bad.
If Hollywood really wants to know
how privilege looks, it is a toweringly
rich celebrity assaulting someone who
cannot obtain redress because it is just
too much hassle to do so. It is people
immediately dreaming up excuses for
this behaviour, such as the woman in
The Guardian who said the white
response was “pearl-clutching”,
projecting a “layer of hyperviolence
onto Smith simply because he was a
black man defending his black wife”.
If you think anything that happened is
anything to do with what race Smith is,
then you are racist yourself.
Smith, of course, was one of the first
big names to play the Oscars race card,
boycotting the ceremony because black
and Asian actors weren’t nominated,
including him. What puzzles me is why
he let the anxiety and ego get on top of
him. Didn’t he realise he had created a
situation where they literally couldn’t
give it to anyone but him? He has now
resigned from the academy, presumably
jumping before he was pushed.
I kept on wondering what Smith’s
mother thought, as she sat watching this
embarrassing spectacle with her friends
“in Philly”. According to an emetic,
folksy and particularly ragged section of
Smith’s speech, she was enjoying the
ceremony with her “knitting crew”.
What was the chat there?
I wondered, also, what Denzel
Washington would have thought,
watching this tedious fool squander his
good fortune. In my view the far bigger
scandal is that Will Smith won for his
schlucky role as the father of the
Williams sisters in King Richard, and not
the wonderful Washington as Macbeth.

The awards were
given according to
who would look
best receiving
them, not who did
the best work
Free download pdf