Billboard - USA (2019-08-24)

(Antfer) #1

PORTRAIT ILLUSTRATION BY JULIETTE TOMA PHOTO ILLUSTRATION BY KLAWE RZECZY


19


R&B is a young


person’s game —


at least judging


by the Billboard


Hot 100, where streaming-friendly


artists like Lizzo and Khalid


dominate. But look a little deeper,


and you’ll find that the hitmakers


of yesteryear are, well, still making


hits. In July, Monica’s throbbing


slow jam “Commitment” hit


No. 1 on Billboard’s radio-based


Adult R&B list — her first chart-


topper there since 2010. Fantasia,


who this year celebrated the 15th


anniversary of her American Idol


win, hit No. 2 on the same chart


in August with the ’80s-inspired


“Enough.” Brandy is sitting just


outside the tally’s top 10 with


“Love Again,” a lush duet with


Daniel Caesar. And all three have


full-length projects expected this


fall — proof that R&B’s new class


of veteran divas still has plenty of


opportunities.


“They’re in the right demo of


‘grown but not retired,’ ” says Dee


Dee Faison, promotions director at


WBLS (107.5 FM) New York. And


that middle ground is not a bad


place to be. As Heather Lowery, vp


talent and touring at Live Nation


Urban, puts it: “They’ve made


timeless music that still appeals to


their original fan base yet connects


to younger fans who are able to


appreciate the progression of R&B.”


The fact that once-young fans


from their heyday are now adults


with purchasing power helps


sustain their longevity. “[Their fans]


are in the age range of 26 to about



  1. We work hard, so we can afford


the $200 seats for a girls’ trip to see


them live,” says Faison. “Younger


fans may not be able to afford


the tickets, so they get the music


through the radio or streaming.


We’re more prone to buy the record


and support them on the road.”


Late-’90s/early-2000s nostalgia


is also big in the urban music


market right now. In 2016, Sean


Combs’ Bad Boy Family Reunion


trek reunited acts like Lil Kim,


112 and Faith Evans, grossing


$22.3 million, according to figures


reported to Billboard Boxscore; this


year, boy band B2K’s Millennium


Tour became the group’s


most successful yet, grossing


$25.5 million with a stacked lineup


that included fellow crooners like


Mario and Bobby V. A co-headlining


package featuring these women


isn’t a far-fetched idea: Monica


joined Xscape’s 2017-18 reunion


tour, and this year, she and Brandy


took part in Live Nation’s Femme It


Forward concert series alongside


such peers as Ashanti and Mýa.


Still, the artists themselves


note that not trying to compete


at all is what keeps them so


competitive. “Authenticity is key,”


Monica explains. “Being you allows


people to trust and believe in your


artistry, and that’s why I never


hesitate to be me.” Says Fantasia:


“When you hear [our voices], you


know it’s us. It’s a sound that can’t


be duplicated. The humbleness


about us, staying true to ourselves


and not trying to change our style


to fit in — that’s what makes us


stick around.” —BIANCA GRACIE


What We Know About


Major


Lazer


17


In September 2018, Diplo


announced that the next album


from Major Lazer, his dancehall-


focused side project with Walshy Fire


and Ape Drums, would likely be the last.


“I think so,” the producer said, “because


I got [these] other side projects, like LSD


with Sia and Silk City [his duo with Mark


Ronson].” But the group will release


one more album, Music Is the Weapon,


before its cartoon namesake rides off


into the technicolor sunset. Recent


singles — May’s soaring anthem “Can’t


Take It From Me,” featuring Skip Marley,


and June’s “Make It Hot,” a collaboration


with Brazilian vocalist Anitta — hint that


the forthcoming LP should sound like


classic Caribbean-, South America-


and Africa-inspired Major Lazer. (The


group recently worked with Shatta


Wale and Beyoncé on “ALREADY,” a


track from the latter’s The Lion King:


The Gift project.) But expect some fresh


influences from the trio’s newest


addition, Miami-based producer Ape


Drums, who replaced longtime member


Jillionaire earlier in 2019. “We all text


and talk about the album coming out,


talk about ideas of how we’re going to


do it,” Ape Drums told Billboard in July.


“I’ve been trying to dig deep in my


brain every day to come up with new,


fresh ideas.” The first official single


from Music Is the Weapon drops in early


September, with the full project planned


for release on Diplo’s Mad Decent label


by year’s end. —KATIE BAIN


R&B QUEENS STAY IN THE GAME


22


A “Single Again” Big Sean leads Def


Jam’s fall albums slate in late September,


while Teyana Taylor will follow last year’s Kanye


West-produced K .T.S.E. before the end of the year.


Decades into their careers, Monica, Brandy and Fantasia are crushing it at radio, readying


new albums and showing that the genre’s now-classic acts can still keep up with the kids


24


Jimmy Jam & Terry Lewis are calling:


The producer legends invited Janet


Jackson, Mariah Carey and others to guest on


September’s Jam & Lewis: Volume One.


23


Boo! Kim Petras drops


more spooky bops with


the Halloween mixtape Turn Off


the Light, Vol. 2 on Oct. 1.


25


Angel Olsen explores


her “darkest side” with


All Mirrors (Oct. 4) and a fall tour


(starting Oct. 30).


PREVIEW 2019


FALL


From left: Brandy, Monica and Fantasia.


58 BILLBOARD | AUGUST 24 , 2 019

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