CONTRIBUTORS
DISPATCH
Alexis Okeowo reports on foreign
students who have fled Ukraine for
Germany—and their fraught future.
CURRENCY
Nick Romeo explores a new pricing
model that reflects hidden costs, such
as child labor and climate damage.Download the New Yorker app for the latest news, commentary, criticism,
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LEFT: NTI; RIGHT: NICHOLAS KONRAD
Andrew Solomon (“The Unthinkable,”
p. 28) is a professor of clinical medical
psychology at Columbia University.
His books include “Far and Away,” “Far
from the Tree,” and “The Noonday
Demon.”
Rachel Syme (“Showtime,” p. 16), a staff
writer, has covered style and culture for
The New Yorker since 2012.
David Baker (Poem, p. 35) teaches at
Denison University. His new poetry col-
lection, “Whale Fall,” will be out in July.
Hannah Seidlitz (The Talk of the Town,
p. 15) is a member of the magazine’s
editorial staff.
Saul Steinberg (Cover), who died in
1999, contributed to The New Yorker
for nearly sixty years. An exhibition of
his work, “Saul Steinberg: In the Li-
brary,” is on view at the Pace Gallery,
in New York, through April 30.
Amanda Petrusich (Pop Music, p. 66)
is a staff writer and the author of “Do
Not Sell at Any Price.”
Lauren Collins (“Murder, He Wrote,”
p. 40), a staff writer since 2008, is the
author of “When in French.” She is at
work on a book about Wilmington,
North Carolina.Ian Frazier (“Stir-Crazy,” p. 24) is a staff
writer. His latest book is “Cranial Frack-
ing,” a collection of humor pieces.Zoë Heller (Books, p. 54) has written
the novels “Notes on a Scandal,” “The
Believers,” and “Everything You Know.”Kevin Barry (Fiction, p. 50) began con-
tributing to The New Yorker in 2010.
His most recent short-story collection
is “That Old Country Music.”Taneum Bambrick (Poem, p. 46) is the
author of “Intimacies, Received” and
“Vantage.” She is a Dornsife Fellow in
creative writing and literature at the
University of Southern California.Peter Schjeldahl (The Art World, p. 64)
has been the magazine’s art critic since- He published “Hot, Cold, Heavy,
Light” in 2019.