Pastel Journal - USA (2019-09)

(Antfer) #1

start overworking; the tighter I get,
the less I like them.”
Inspired by a line from the song
“World Traveler” by Andrew Peterson,
Beneath My Roof Tonight (page 22)
reveals a master’s touch and intui-
tive compositional skills. “The line
in the song references how Peterson
sees a reflection of the divine in the
innocence and peacefulness of sleep-
ing children,” says Latala. “I posed my
daughter Caroline as though sleep-
ing with the comfort of her teddy
bear amid a swirl of blankets. She
appears so peaceful, representing
calm within the storm of life.” Adeptly


underscoring his idea is the use of
contrasting color temperatures cou-
pled with a strong chiaroscuro effect.
“I’m constantly trying to simplify what
I’m observing,” says the artist, “and
consider value and color temperature
to be key components in my work.”

A Cool Light
A juror once described Latala’s award-
winning painting Cool Light (opposite)
as “a small jewel.” Created as a demon-
stration in one of the artist’s classes,
this still life exemplifies his penchant
for using cool light and warm shadows.

Similarly,themodelforCathy
(opposite)wasposedundercoollight.
“Cathyis anebullient,happyperson,
andI thinkI capturedsomethingof
herinnerhappinessbyusingwarmth
intheshadowsandcontrastingher
againsta coolgreenish-blue,”says
Latala.“It’sinterestingthatwhen
I’mteachingorpaintinga modelin
a groupsession,peopleprefera warm
lightnearly 100 percentofthetime.
I gravitatetotheopposite.”Inhisstu-
dio,heusesa NanguangCN 600 CSA
LEDStudioLightwhichhastwoknobs,
oneforcool,theotherforwarm,sohe
canpreciselyadjustcolortemperature
from3200K(warm)to5600K(cool).
ForhisenchantingGypsy(above
left),paintedduringa sessionata
colleague’sstudio,themodelwas
warm-litfrombeneathbylowwatt-
agelighttocreatea mysterious,
candleliteffect.Latalawasespecially
carefulnottooverdodetailsofhis
subject.“OvertheyearsI’velearned
nottooverworkmypaintings,”he
says.“I’malwaystryingtoeditor
simplifytheimageI’mtryingto
create.Forexample,I lovepainting
headdressesandscarves.
“Iwasreallyconsciousoftheneed
toturnaroundperiodicallyandstep
back,viewingthispaintingfrom

LEFT
Gypsy (16x12)
BELOW
Summer (20x16)

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