Richardsays:It’struethat
manyof thein-cameraeffects
fr omthedaysof film,suchas
multipleexposures,havebeen
usurpedby thepowerof digital
editingandthatthere’sfarmore
cr eativecontrolin postthan
therecaneverbe duringthe
pi cture-takingprocess.But there
are somehacksthatwillboost
yourcreativityandintroducean
el ementof experimentationthat
makephotographyso muchfun.1
Tr y some
fr ee-lensing
Didyouknowthat
you cantakea picturewithout
attachinga lensto yourcamera?
The techniqueis knownas
fr ee-lensing,andit involves
holdinga lensnearto thefront
ofyourcamera,whichallows
you to moveit in thewaythat
you wouldwitha tilt-shiftlens.
The lenswillonlybe usableat
it s widestaperture,andyouwill
haveto workin fullmanual
modeandfocusmanually,
butwitha bit of practice
you cangetsomein terestingeffects.Andif you
enjoytheprocessthenyoucan
ta keit furtherby reallytilting
the rearelementof an oldlens
sothatyoucanplaceit nearer
tothesensorandgeta more
extremeeffect.2
Go macro
on a budget
Macro photography,
which is defined as the creation
of an image that is at leasta 1:1
ratio to the subject, opensup
a wholenewgenreto explore.
Butdedicatedmacrolensesare
not cheap,andit canbe difficult
tojustifytheoutlayfor a niche
st udy. Happily, you can engage
in some macro photographyby
si mply reversing a prime lens
so that your camera is looking
through it ‘backwards’. There
are reversing rings availablefor
al l the major manufacturersand
le ns sizes, and while you willhaveto workin fullmanual
modewithno controlover
the lens’aperture, as a good
introduction to the miniature
world this technique can’t be
beatenon price.3
Put an old CD
to creative use
Don’t throw that Celine
Dion Greatest Hits CD in the bin
just yet, it’s got a lot more to
offer than its musical content
might suggest. Lens flare is a
greatcreativetool,butplacing
it exactlywhereyouwantit
can be tricky.By holdinga CD
infrontof yourcamera– the
holein themiddleis perfect
fo r puttingyourfingerthrough- you canangleit to throwlight
ontothefrontelementof your
le nsto createsomedreamyflare.
Thischeapandcheerfulhackis
brilliantforportraiturework.
4
Turna bag
int o a softbox
Therewillbe times
when no matterhowhighyou
pushtheISO,yousimplywon’tWith digital manipulation in post-processing offering
so many options to alterthelookof an image, I’m
wondering if there’s stilla placeforsomecreative
in -camera effects. Can you pointme towardsany‘analogue’
hacks that I can have a bit of fun with?
Darren Joyce, CanterburyCan you fillme in on somecamera hacks?Know
Your Stuf fAll your technique and gear questions answered byour team of experts [email protected]70 PrACTICALPHOTOgrAPHyRichard Collins
PP’s deputy
editor is a hugely
experienced
journalist, tutor
and pro fashion
photographer.BenHawkins
Withover17 years
asa photographic
jo urnalist,Benis
a procompetition
ju dge,picture
editorandwriter.Louise Carey
Features editor
Louise is an
award-winning
fine art and
documentary
photographer.Gett y Imafree-lensingGes/Istockphoto