Practical Photography - UK (2019-09)

(Antfer) #1
Richardsays:It’struethat
manyof thein-cameraeffects
fr omthedaysof film,suchas
multipleexposures,havebeen
usurpedby thepowerof digital
editingandthatthere’sfarmore
cr eativecontrolin postthan
therecaneverbe duringthe
pi cture-takingprocess.But there
are somehacksthatwillboost
yourcreativityandintroducean
el ementof experimentationthat
makephotographyso muchfun.

1


Tr y some
fr ee-lensing
Didyouknowthat
you cantakea picturewithout
attachinga lensto yourcamera?
The techniqueis knownas
fr ee-lensing,andit involves
holdinga lensnearto thefront
ofyourcamera,whichallows
you to moveit in thewaythat
you wouldwitha tilt-shiftlens.
The lenswillonlybe usableat
it s widestaperture,andyouwill
haveto workin fullmanual
modeandfocusmanually,
butwitha bit of practice
you cangetsome

in terestingeffects.Andif you
enjoytheprocessthenyoucan
ta keit furtherby reallytilting
the rearelementof an oldlens
sothatyoucanplaceit nearer
tothesensorandgeta more
extremeeffect.

2


Go macro
on a budget
Macro photography,
which is defined as the creation
of an image that is at leasta 1:1
ratio to the subject, opensup
a wholenewgenreto explore.
Butdedicatedmacrolensesare
not cheap,andit canbe difficult
tojustifytheoutlayfor a niche
st udy. Happily, you can engage
in some macro photographyby
si mply reversing a prime lens
so that your camera is looking
through it ‘backwards’. There
are reversing rings availablefor
al l the major manufacturersand
le ns sizes, and while you will

haveto workin fullmanual
modewithno controlover
the lens’aperture, as a good
introduction to the miniature
world this technique can’t be
beatenon price.

3


Put an old CD
to creative use
Don’t throw that Celine
Dion Greatest Hits CD in the bin
just yet, it’s got a lot more to
offer than its musical content
might suggest. Lens flare is a
greatcreativetool,butplacing
it exactlywhereyouwantit
can be tricky.By holdinga CD
infrontof yourcamera– the
holein themiddleis perfect
fo r puttingyourfingerthrough


  • you canangleit to throwlight
    ontothefrontelementof your
    le nsto createsomedreamyflare.
    Thischeapandcheerfulhackis
    brilliantforportraiturework.


4


Turna bag
int o a softbox
Therewillbe times
when no matterhowhighyou
pushtheISO,yousimplywon’t

With digital manipulation in post-processing offering
so many options to alterthelookof an image, I’m
wondering if there’s stilla placeforsomecreative
in -camera effects. Can you pointme towardsany‘analogue’
hacks that I can have a bit of fun with?
Darren Joyce, Canterbury

Can you fill

me in on some

camera hacks?

Know


Your Stuf f

All your technique and gear questions answered by

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70 PrACTICALPHOTOgrAPHy

Richard Collins
PP’s deputy
editor is a hugely
experienced
journalist, tutor
and pro fashion
photographer.

BenHawkins
Withover17 years
asa photographic
jo urnalist,Benis
a procompetition
ju dge,picture
editorandwriter.

Louise Carey
Features editor
Louise is an
award-winning
fine art and
documentary
photographer.

Gett y Imafree-lensing

Ges/

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