28 Watercolor artist | FEBRUARY 2019
THE YEAR’S BEST
PA I N T I NG S
WATERCOLOR SOCIETIES FROM AROUND NORTH AMERICA
COME TOGETHER TO PRESENT THE BEST PAINTINGS OF 2018.
By McKenzie Graham
“My inspiration for this painting was my
mom. I traveled to Hong Kong in 2014
and saw an old lady when I was strolling
down the market. At the time, I was
deeply impacted by that scene. For
a moment, I thought I was seeing my
mother again. My mother passed away
when I was young. She was busy and
had to take care of the family. There
were too many stresses on her, so she
suffered from illness in her later years.
This piece represents my yearning for
her. I’ve seen so many mothers spend
their entire lives with their children. The
old woman I saw in Hong Kong was defi-
nitely one of them.
“I used high-contrast color to indicate
my strong emotional response. If I
would’ve used only low-saturation colors,
then it wouldn’t visually astonish audi-
ences; therefore, I exaggerated the color
contrast and value differences. The stable
composition is created by a triangular
shape of the three primary fi gures.”
“Zhang’s painting is illed
to the brim with interest-
ing detail. Every inch of
the surface is fascinating.
While this sounds posi-
tive, it can also be the
downfall of a inished
work. Too much informa-
tion can lead to visual
chaos, but by carefully
prioritizing the surface,
leading the eye from the
least to the most import-
ant aspects, Zhang
avoids that pitfall and
leads us into an exotic
slice of Hong Kong life.”
— JOHN SALMINEN, JUROR
T
he elements of a standout painting are sometimes elusive. What’s
puzzling to one person might be enlightening to another. h is lay-
ering of meaning is part of what makes looking at artwork such an
individual experience, and it’s part of why each year’s grouping of
the best paintings is unique from every other year’s. In this batch
we have abstract, i gurative, landscape and still life; we have joyful
color and muted palettes; we have small- and large-scale works.
Altogether, we have 21 paintings that evoke that gorgeous palimp-
sest of emotions so indicative of the best art.
Transparent Watercolor
Society of America
Xiaochang Zhang
San Ramon, Calif.
Mother—Hong Kong
(watercolor on paper, 40x30)