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Venice
To some, Venice may simply be a lovely little town in northern Italy, but, in
truth, it’s a city and the capital of the Vento region of Italy. It’s comprised of
six districts or sestieri that sit on 118 small islands separated by a labyrinth of
winding, picturesque and often very narrow canals. h ese canals are linked by
some 400 bridges, each one unique, which is why Venice has earned the name
“h e City of Bridges.”
I’ve been to Venice during the months of May, September and October. It’s
magical—unlike anywhere else on earth. h e textures of Venice, in every mean-
ing of the word, are stunning. h e beautiful and elegant palazzos, grand piazzas,
maze of narrow alleys and crumbling buildings make for a beauty that’s both
enchanting and poignant.
h e light in Venice reads as ethereal. It’s soft, delicate and full of atmosphere,
with an average humidity at a substantial 76 percent. Water twists the light,
bouncing it from surface to surface, and the buildings are mirrored everywhere
in the rel ections.
LEFT
A Back Canal (watercolor
on paper, 11x14½ ) depicts a
waterway in the San Polo sestiere
and shows a contrast of light,
color, texture and atmosphere.
There’s a stillness and quietness
to the painting. The motionless
water acts like a mirror,
emphasizing the abstract quality.
OPPOSITE
Rio dei Mendicanti (watercolor
on paper, 144⁄x11) features a
limited palette of complementary
colors and a strong sense of
aerial, atmospheric perspective
due to the moist air. The colors
lack saturation; the blues are
toned or grayed down with raw
umber, and the background is
painted with a pale tint of the
colors used in the foreground.
I’ve been to
Venice during the
months of May,
September and
October. It’s
magical—unlike
anywhere else
on earth.