The Sunday Times - UK (2022-04-24)

(Antfer) #1
24 April 2022 59

THE BEST TV FROM MUBI AND BEYOND... FRIDAY 29 APRIL


Moving On (Britbox)
Perhaps because it has
lived most of its life in an
early-afternoon slot, or
maybe because it has felt
ever-present since it first
appeared on our screens in
2009, Jimmy McGovern’s
long-running series of stand-
alone Chekhovian dramas
never seems to receive the
kudos or praise they deserve.
Sentimental, admittedly, but
also raw and hard-hitting,
they’re not the kind of shows
you’d want to watch back-
to-back, but rationed out in
between lighter fare they
work brilliantly. If you’re not
sure where to start, might we
suggest Man of Steel (season
11), in which Mark Addy plays
a former rugby league star
blackmailed by his ex-wife,
or The Signature (season
six), which stars a brilliant
Lisa Riley as a dinner lady
presented with a life-
changing moral dilemma.
Andrew Male

Cape Fear (BBC1, 10.40pm)
A remake of the 1962 film
about a family tormented by
a vengeful psychopath, this
thriller is a bit of a potboiler
by the usual standards of its
director, Martin Scorsese, but
his flair and his love of cinema
still make themselves felt. He
tries his hand at pulpy horror
and Hitchcockian suspense and
pays tribute to the original
movie by giving cameo roles
to its stars, Gregory Peck and
Robert Mitchum. This time
around, Nick Nolte is the
family’s patriarch, and the
villain is played by Scorsese’s
old ally Robert De Niro, who
gives a fierce, musclebound
performance. (1991)

Ready Or Not
(Film4, 10.45pm)
Samara Weaving’s character in
this entertaining comic horror
film receives a nasty shock
on her wedding night. Her
husband’s rich family make
her the quarry in a murderous
game of hide and seek. Co-
dirs: Matt Bettinelli-Olpin,
Tyler Gillett (2019)
Edward Porter

Gone girl: Steadman (BBC1, 8.30pm) Fearless: De Niro (BBC1, 10.40pm)

FILM CHOICE


ON DEMAND


The Go-Go’s (Sky/Now)
The first and only all-female
band who wrote their own
songs, played their own
instruments and had a
chart-topping album in
America, this Los Angeles
quintet, formed in 1978, were
simultaneously chaotic and
revolutionary, imbued with


Dynasties II (BBC iPlayer)
This incurious series has all
the ingredients of an award-
winning nature programme
(gorgeous camerawork and
music, David Attenborough’s
soothing tones) but little deep
knowledge. Instead we get an
ambient natural history content
with romanticised notions
of animal families that feels
closer to The Wonderful World
of Disney than Life on Earth.
Andrew Male

Old Enough (Netflix)
It’s a show that has run for
30 years on Japanese TV and
the idea couldn’t be simpler:
a toddler is sent on a simple
errand (buy some milk, pick
up lunch) while being filmed
by a hidden camera crew
to see whether or not they
succeed. It is a curious kind of
slow TV, caught between the
tense and the banal and will
be adorable or terrifying for
any watching parent.

Charli XCX — Alone Together
(Buy as stream/download)
While recording her album
How I’m Feeling Now in 2020’s
first lockdown, Charli XCX
involved her social-media
followers at every turn.
This documentary about the
project is a souvenir for those
fans, but it could also serve
other viewers as an eye-
opening picture of modern
fame. Co-dirs: Bradley Bell,
Pablo Jones-Soler (2021) EP

punk spirit and chart-bound
dazzle. It is a surprisingly
scrappy tale, one of addiction,
in-fighting and on-the-road
madness, which perhaps
explains why the director,
Alison Ellwood, tells the story
so straight, lest we don’t take
their brilliance seriously
enough. Luckily, the five
former members are having
none of it and their anarchic
spirit shines through even as
the film tries to dilute it.

All work and no play ..: time will tell if Elisabeth Moss can keep shining (Apple TV+)

Shining Girls (Apple TV+)
With multiple time frames,
glitching realities and
references to cult 1990s pop
bands, it quickly becomes
clear that this adaptation of
Lauren Beukes’s 2013 novel
is not your standard crime
drama. It is, however, utterly
compelling, a surreal,
disturbing thriller that has
the same disorientating
power as Sharp Objects or
Memento. Elisabeth Moss is
excellent as Kirby Mazrachi,
a Chicago newspaper
archivist and survivor of a
vicious assault, who unites
with hard-bitten reporter
Dan Velazquez (Wagner
Moura) to try to find a serial
killer. Bear with the initial
confusion — why do Kirby’s
pets keep changing? — and
the odd inconsistencies;
it is all part of a dark and
intriguing narrative.
Victoria Segal

Richard Hammond’s Crazy
Contraptions (C4, 8pm)
Top Gear’s “Hamster” has
always enjoyed a parallel
career as a science presenter,
as currently represented by
Brain Reaction and this new
contest for amateur engineers.
A descendant of series such
as The Great Egg Race and
Scrapheap Challenge, it asks
teams to build elaborate,
inventive chain-reaction
systems to solve a problem:
in the opener, to allow
Hammond to make his bed
without having to get out
of his bath. It badly needs
female contestants — Shini
Somara, who gives “science
lessons”, is the episode’s lone
woman — and it misses a trick
by lacking slo-mo replays, but
on this evidence is a lot of fun.
John Dugdale


Anomalia
(Walter Presents on All 4)
French viewers were forgiving
of the ropey special effects in
this supernatural drama, which
follows neurosurgeon Valerie
Rossier (Natacha Regnier) as
she returns to her childhood
home. There are shades of The
Shining and The Sixth Sense
here, with a touch of Hammer
Horror in later episodes.

Here We Go (BBC1, 8.30pm)
Tom Basden’s nervy family
sitcom is no Outnumbered,
indeed, the “media studies
project” filming is reminiscent
of The Goldbergs, but the
cast alone demands a watch.
Tonight, Alison Steadman, Jim
Howick, Katherine Parkinson
and Basden himself try to get
to a theme park before their
voucher runs out.

Expedition Rhino — The
Search For The Last Northern
White (BBC2, 11.05pm)
The wildlife film-maker Vianet
Djenguet travels to South
Sudan hoping that reports of
the extinction of the northern
white rhino are exaggerated.
Dinka women claim they have
seen the beast, and footprints
seem to confirm its existence.
Helen Stewart

CRITICS’ CHOICE


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