xii | Preface
artist with whom landauer corresponded), it seems intended to evoke the Bres-
cia church mural described by Buber at the end of his eulogy (see chapter 1). in
this context, however, it evokes not only the ten thousand martyrs of medieval
christian art but also the crucified of the spartacus revolts, both ancient and
modern, among whom Buber saw landauer hanging. Masken: Halbmonatschrift
des Düsseldorfer Schauspielhauses 14.18–19 (1919).