Computer Arts

(Martin Jones) #1
improving your design portfolio
throughout your career. The good
news is that you don’t necessarily
have to do a radical redesign.
Simply adding new work will often
be enough to get you a long way.
“As a hirer the thing you really
notice with a more experienced
designer’s portfolio is how stuff ’s
photographed” says St John.
“That’s often because most of it’s
been done at an agency level where
they’ve spent a few thousand on
great photography. So it is usually
quite easy to see the quality over
the student-level work.”
But there is another greater
challenge. Now you have more
work to choose from you need
to put more effort into curating it.
While at student level curation
just means choosing your best
work it’s now time to think more
seriously about what direction you
want to go in future and start
gearing your selection towards that
choice. Doing so will help hirers
have a much better understanding
of where your interests lie and as
a result where you might best fit
in an organisation. Not doing so
in turn may convey a lack of
purpose or direction.
“One of my biggest bugbears is
when people include everything;
try to cover all angles all bases”
says Fortescue. “A portfolio should
demonstrate why you’re a match
for the role you’re looking to fill.
It needs to say: ‘This is why I’m
really the best person for this look
at the work I’ve done.’ Rather than
‘Hey look I do a bit of everything.’”
At this stage recruiters aren’t
just looking for high-quality work
from candidates they’re usually
looking for something specific.
“What really gets me excited is
fit and relevance” says Smith. “Not
just in the kind of work that you’ve
been doing but also in the way you
carry yourself the way you talk
about yourself the personality you
portray. It’s nice to see a portfolio
from someone that seems to have
very similar personality to us as a
company. I can imagine other

agencies that are a bit more serious
might be put off by the portfolios
we get and vice versa. Because it’s
important to fit into the company
culture as well as the sort of work
we do” he explains.

Moving on up
You’ve finally become a senior
designer. With widespread
respect for your work and good
relationships in the industry
putting together a winning
portfolio will be a doddle surely?
Sadly it’s not always that simple.
For a start the more responsibility
you take on within your studio the
more confidentiality agreements
you have to sign and the more
difficult it can be to actually show
what you’ve been working on.
In this case at least peers will
empathise. “It’s often the case that
more experienced designers will be
reluctant to email over confidential
work or have it on their website”
says Smith. “So we’re very aware of
that.” And depending on the client
there are various strategies you can
take to circumvent restrictions
such as showing the work in the
more confidential circumstances
of an interview setting or maybe
restricting it to a password-
protected area of your website.
Perhaps a trickier problem is
that the more senior you become
the less hands-on and the more
strategic and managerial your
involvement in projects gets.
And this can be difficult to convey
in a portfolio. “With senior
candidates it can sometimes
difficult to tangibly distil what they
were responsible for what value
they brought to the project” says
Smith. “And so you find that more
senior people’s portfolios tend to
be less visual as a result.”
Rather than relying on large-
scale images then you may now
need to present your projects more
like a blog or a case study with
concise but careful text explaining
the brief how it was met and the
specific part you played. Again it’s
important to avoid overstating your

blue. And the principle of ‘last
in first out’ normally applies so
as a fresh hire you’re unfortunately
particularly vulnerable.
On a more positive note
perhaps the powers that be have
noticed your great work and are
thinking about promoting you. But
be honest: if a superior suddenly
asked you into their office and
asked to see your latest portfolio
would it be ready for viewing?
Would you be ready to show it?
In short if you want to continue
advancing you’re going to need
to keep updating refining and

“a curated clear concise


bold portfolio is really


the only thing we’re


looking for”


Madeleine FOrte Scue recruitMent
Manager MOving B randS

computerarts.creativebloq.com

indusTry issues spring 2017

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