262INTRODUCTIONINTRODUCTIONM. Foucault 1964, Madness and Civilization: A History of Insanity in the Age of Reason
(New York: Vintage, 1988), 288; H. Hoch, 1929, Hannah Hoch [exhibition catalog] (Berlin:
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- Deyrolle, accessed October 5, 2014, http: //www .deyrolle .fr /magazine /spip .php
?rubrique93. - Princess Olga of Greece 2008, “Animal House,” Va n it y Fa i r, September, http: //www
. v a n i t y f a i r. c o m / c u l t u r e / f e a t u r e s / 2 0 0 8 / 0 9 / d e y r o l l e 2 0 0 8 0 9. - Ibid.
- K. Knorovsky 2008, “Behind the Lens: Paris’ Deyrolle Taxidermy Shop,” National Geo-
graphic Online, February 21, http: //intelligenttravel .nationalgeographic .com /2008 /02
/21 /behind_the_lens_paris_deyrolle /; M. Blume 2008, “Rescuing Deyrolle, a Beloved
Parisian Shop,” New York Times, March 28, http: //www .nytimes .com /2008 /03 /28 /arts
/ 2 8 i h t - b l u m e. h t m l? p a g e w a n t e d=all&_r=0; Drawbridge, 2009, “Martin d’Orgeval:
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/Martin -dOrgeval -Touched -by -Fire .html; E. Biétry-Rivierre 2008, “Comment sauver
la maison-musée Deyrolle,” Le Figaro, February 4, 29; Princess Olga of Greece, “Ani-
mal House”; C. Bagley 2009, “Deyrolle: Up from the Ashes,” Wmagazine, October 9,
h t t p : / / w w w. w m a g a z i n e. c o m / f a s h i o n / 2 0 0 9 / 1 0 / 1 0 0 0 c - d e y r o l l e /. - R. Poliquin 2012, The Breathless Zoo: Taxidermy and the Cultures of Longing (Univer-
sity Park: Pennsylvania State University Press), 222; Z. Bellel 2009, “Deyrolle: Where
the Wild Things Are (Again),” Paris by Appointment Only [blog], October 21, http: //
w w w. p a r i s b a o. c o m / a r t / d e y r o l l e - w h e r e - t h e - w i l d - t h i n g s - a r e - a g a i n /. - B. McKay 2011, “The Return of Taxidermy,” The Art of Manliness Trunk [blog], http: //
w w w. a r t o f m a n l i n e s s. c o m / t r u n k / 1 6 4 7 / t h e - r e t u r n - o f - t a x i d e r m y / ; J u r y , L. , 2 0 1 4 , “ S t u ff
It! Taxidermy Is the Latest Craze,” Evening Standard, January 7, 3. - L. Secorun Palet 2014, “Taxidermy: The New Hipster Hobby,” Ozy, August 9, http: //
w w w. o z y. c o m / f a s t - f o r w a r d / t a x i d e r m y - t h e - n e w - h i p s t e r - h o b b y / 3 2 7 5 6. - G.. Morris 2013, “Taxidermy: Art of Stuffing Animals Dead Trendy,” Sky News, Octo-
b e r 1 9 , h t t p : / / n e w s. s k y. c o m / s t o r y / 1 1 5 6 6 5 2 / t a x i d e r m y - a r t - o f - s t u ffi n g - a n i m a l s - d e a d
-trendy. - P. Assouline 2008, Deyrolle—Pour l’avenir (Paris: Gallimard); L. Bochet and L. A. de
Broglie 2009, 1000 Degrees C. Deyrolle (Paris: Assouline). - Princess Olga of Greece 2008; Poliquin 2012:222–223.
- M. d’Orgeval 2009, “Still Life,” Drawbridge, no. 14 (Autumn): 16.
- Throughout this book, the term naturecultures is adopted from Donna Haraway’s own
conception of an impossibility to talk or think of nature as separate from culture. The
collapse of the nature/culture dichotomy thus emphasizes an indivisible bond be-
tween materiality and semiosis. D. J. Haraway and T. Goodeve 1999, How Like a Leaf
(London: Routledge). - P. A. Morris 2010, A History of Taxidermy: Art, Science and Bad Taste (Ascot: MPM), 353.