Speculative Taxidermy

266INTRODUCTION

bri, eds., 2013, “Gli animali di Foucault,” Animal Studies: Rivista italiana di antispe-

cismo 2, no. 4 (July).

81. Cavalieri 2008:97–123.


82. Y. Greslé 2006, “Foucault’s Las Meninas and Art-Historical Methods,” Journal of
    Literary Studies 22, nos. 3–4 (December): 211–228.


83. C. M. Soussloff 2009, “Foucault and the Point of Painting,” Art History 32, no. 4:
    734–753.


84. Foucault 1966:3–18.


85. Greslé 2006:212.


86. Among others, Svetlana Alpers’s and Norman Brison’s positive reception of Foucault’s
    analysis of Las Meninas has had much resonance in art historical discourses. Ibid., 214;
    S. Alpers 1983, “Interpretation Without Representation, or the Viewing of Las Meni-
    nas,” Representations 1, no. 1 (February): 31–42; N. Bryson 1988, Calligram: Essays in
    New Art History from France (Cambridge: Cambridge University Press), xiv, xv, and
    91–105.


87. E. Fernie 1995, Art History and Its Methods (London: Phaidon), 19–20; J. J. Tanke
    2009, Foucault’s Philosophy of Art: A Genealogy of Modernity (London: Continuum);
    G. Shapiro 2003, Archaeologies of Vision: Foucault and Nietzsche on Seeing and Saying
    (Chicago: University of Chicago Press).


88. Foucault and Bourriaud 1971/2009; Foucault 1983; Foucault 1975a, “Photogenic Paint-
    ing,” in G. Deleuze and M. Foucault, Gérard Fromanger: La Peinture Photogénique
    (London: Black Dog, 1999); M. Foucault 1973, “The Force of Flight,” in J. W. Crampton
    and S. Elden, eds., Space, Knowledge, and Power: Foucault and Geography (Aldershot:
    Ashgate, 2007), 169–173.


89. Foucault 1966:xvi.


90. Ibid., xxiii.


91. Ibid., xix; on the fictitiousness of this passage, see K. Windschutll, 1997, The Killing of
    History: How Literary Critics and Social Theorists Are Murdering Our Past (New York:
    Free Press), 255.
    
    
    1. RECONFIGURING ANIMAL SKINS
    
    
    
    

A. Drummond 2008, Elephantina: An Account of the Accidental Death of an Elephant in
Dundee in the Year 1706, Described by an Engraver Resident in That Town (Edinburgh: Poly-
gon), 168; O. Davie 1894, Methods in the Art of Taxidermy (Philadelphia: David McKay), 122.

1. M. Milgrom 2010, Still Life: Adventures in Taxidermy (Boston: Houghton Mifflin Har-
   court); and D. Madden 2011, The Authentic Animal: Inside the Odd and Obsessive World
   of Taxidermy (New York: St. Martin’s).


2. J. Easton 2012, The Art of Taxidermy (London: Pavilion); A. Turner 2013, Ta x i d e r my
   (London: Thames and Hudson); R. Marbury 2014, Taxidermy Art (New York: Artisan).