Notes to pages 41–5 167
- Ibid., p. 31.
- Th e Stuff ed Owl: An Antholog y of Bad Verse, ed. C. Lee and D. B Wyndham Lewis (New
York: New York Review of Books, 2003). - C. Lee, Th e Cornish Journal of Charles Lee, ed. K. C. Phillipps (Padstow: Tabb House,
1995). - K. C. Phillipps, ‘Introduction’, in Th e Cornish Journal of Charles Lee, ed. K. C. Phillipps
(London: Grant Richards, 1900), pp. xv–xviii, on p. xvi. - A. M. Kent, Th e Literature of Cornwall: Continuity, Identity, Diff erence 1000–2000
(Bristol: Redcliff e, 2000), pp. 168–9. - C. Lee, Th e Widow Woman (1897) (London: J. M. Dent and Sons, 1912); C. Lee, Pa ul
Carah, Cornishman (London: James Bowden, 1898); C. Lee, Dorinda’s Birthday (Lon-
don: J. M. Dent and Sons, 1911). Some of Lee’s short stories can be found in: C. Lee, Our
Little Town and Other Cornish Tales and Fancies (London: Gibbings and Co., 1909); C.
Lee, Cornish Tales (London: J. M. Dent and Sons, 1941). - Th e exploits of artists’ colonies in Cornwall has come to the fore recently with the release
in 2013 of a fi lm adaptation of Jonathan Smith’s novel Summer in February which fi c-
tionally recreates, among others, the experiences of artists A. J. Munnings and Laura
Knight in Cornwall in the Edwardian years before the outbreak of the First World War.
J. Smith, Summer in February (London: Abacus, 1996). - Phillipps, ‘Introduction’, p. xv.
- P. G. Barber, M. Marchand and J. Parpart, ‘Preface’, in B. Pini and B. Leach (eds), Reshap-
ing Gender and Class in Rural Spaces (Farnham: Ashgate, 2011), p. xv. - B. Deacon, ‘Th e Hollow Jarring of Distant Steam Engines’: Images of Cornwall between
West Barbary and Delectable Duchy’, in E. Westland (ed.), Cornwall: Th e Cultural Con-
struction of Place (Penzance: Patten Press, 1997), pp. 7–24, on pp. 10–11. - P. Payton, Cornwall: A History (Fowey: Cornwall Editions, 2004), p. 191; Deacon, ‘Hol-
low Jarring’, p. 11. - For more on the relationship between outsider- and insider-derived constructions of
Cornwall and, in the second half of the nineteenth century, the collusion between those
within Cornwall and those without in the creation of images of Cornwall, see: P. Payton,
‘Paralysis and Revival: Th e Reconstruction of Celtic-Catholic Cornwall 1890–1945’, in
E. Westland (ed.), Cornwall: A Cultural Construction of Place (Penzance: Patten Press,
1997), pp. 25–39, on pp. 36–7. - R. Moseley, ‘Women at the Edge: Encounters with the Cornish Coast in British Film
and Television’, Continuum: Journal of Media and Cultural Studies Special Issue ‘Th is is
the Sea’, 27:5 (2013), pp. 644–62, on p. 644. - Payton, Cornwall, p. 180.
- Th e term ‘Granite Kingdom’ has been used as the title to an antholog y of Cornish poetry
and so is seen in some sense to be representative of the territory see: D. M. Th omas (ed.),
Th e Granite Kingdom: Poems of Cornwall (Truro: D. Bradford Barton, 1970). For more
on the exoticization and packaging of Cornwall see C. Th omas, ‘“See Your Own Coun-
try First”: Th e Geography of a Railway Landscape’, in E. Westland (ed.), Cornwall: Th e
Cultural Construction of Place (Penzance: Patten Press, 1997), pp. 107–28. - B. Deacon, ‘Imagining the Fishing : Artists and Fishermen in Late Nineteenth Century
Cornwall’, Rural History, 12:2 (2001), pp. 159–78, on p. 161. - Ibid., pp. 162, 164.
- Ibid., pp. 164–5.
- Ibid., p. 167.