Notes to pages 99–105 175
- Little, Gender and Rural Geography, p. 65.
- Eliot, Th e Mill on the Floss, p. 113.
- Ibid., p. 113.
- Ibid., p. 310.
- Ibid., pp. 309, 310, 311.
- Ibid., p. 310.
- Solnit, Wanderlust, p. 101.
- Eliot, Th e Mill on the Floss, p. 310.
- Beer, George Eliot, p. 98.
- W. Gan, Women, Privacy and Modernity in Early Twentieth-Century British Writing
(Basingstoke: Palgrave Macmillan, 2009), p. 3. - S. Walton, this volume, pp. 55–71, on p. 71.
- Gan, Women, Privacy and Modernity, p. 8.
7 Montgomery, ‘“I Never Liked Long Walks”: Gender, Nature and
Jane Eyre’s Rural Wandering’
- C. Brontë, Jane Eyre, ed. R. J. Dunn, 3rd edn (New York: W. W. Norton and Co., 2000),
p. 5. - Ibid., p. 277.
- R. B. Heilman, ‘Charlotte Brontë’s “New Gothic”‘, in I. Watt (ed.), Th e Victorian Novel:
Modern Essays in Criticism (London: Oxford University Press, 1971), pp. 165–80. - Notable texts include: C. Alexander, ‘“Th at Kingdom of Gloom”: Charlotte Brontë,
the Annuals, and the Gothic’, Nineteenth-Century Literature, 47:4 (March 1993), pp.
409–36; P. Brantlinger, ‘Imperial Gothic’, in A. Smith and W. Hughes (eds), Th e Victo-
rian Gothic: An Edinburgh Companion (Edinburgh: Edinburgh University Press, 2012),
pp. 202–16; C. M. Davison, ‘Th e Victorian Gothic and Gender’, in A. Smith and W.
Hughes (eds), Th e Victorian Gothic: An Edinburgh Companion (Edinburgh: Edinburgh
University Press, 2012), pp. 124–41; S. M. Gilbert and S. Gubar, Th e Madwoman in
the Attic: Th e Woman Writer and the Nineteenth-Century Literary Imagination (New
Haven, CT: Yale University Press, 1979); and A. Milbank, ‘Th e Victorian Gothic in
English Novels and Stories, 1830–1880’, in J. E. Hogle (ed.), Th e Cambridge Companion
to Gothic Fiction (Cambridge: Cambridge University Press, 2002), pp. 146–66. - E. Burke, A Philosophical Enquiry into the Origin of Our Ideas of the Sublime and Beauti-
ful (1757), ed. A. Philips (Oxford: Oxford University Press, 1990). - Brontë, Jane Eyre, p. 108.
- D. Y. Kadish, Th e Literature of Images: Narrative Landscape fr om Julie to Jane Eyre (New
Brunswick, NJ, and London: Rutgers University Press, 1987), pp. 173, 179. - Brontë, Jane Eyre, p. 277.
- Jane Eyre’s economics are most frequently associated with Jane’s work as a governess,
and her ascension from governess to Rochester’s wife. See J. A. Dupras, ‘Tying the Knot
in the Economic Warp of Jane Eyre’, Victorian Literature and Culture, 26:2 (1998), pp.
395–408; E. Godfrey, ‘Jane Eyre, from Governess to Girl Bride’, Studies in English Lit-
erature, 1500–1900, 45:4 (Autumn 2005), pp. 853–71; N. Pell, ‘Resistance, Rebellion,
and Marriage: Th e Economics of Jane Eyre’, Nineteenth-Century Fiction, 31:4 (March
1977), pp. 397–420; P. Roy, ‘Unaccommodated Women and the Poetics of Property in
Jane Eyre’, Studies in English Literature, 1500–1900, 29:4 (1989), pp. 713–27; and. L.