180 Notes to pages 123–8
- Garden, 1872–1927 (incomplete), Rothschild Collection, Natural History Museum,
London, 365 GAR Q; G. Jekyll, ‘A Self Sown Wood’, Garden, 79:2252 (1915), p. 34. - G. Jekyll, ‘Colour in the Flower Border’, Garden, 83:2496 (20 September 1919), p. 450.
- Hastings and Tooley, ‘Bibliography’, pp. 185–90; Tooley, ‘Jekyll’s Garden Plans’, in
Tooley and Arnander (eds), Gertrude Jekyll: Essays on the Life of a Working Amateur, pp.
198–202. Most known designs are in Reef Point Gardens Collection, Environmental
Design Archives at University of California, Berkeley, fi les 1–10, folders 1–227. - A. Helmreich, Th e English Garden and National Identity (Cambridge: University of
Cambridge Press, 2002), p. 172; Th is subject is explored more fully in D. Harris, ‘Culti-
vating Power: Th e Language of Feminism in Women’s Garden Literature, 1870–1920’,
Landscape Journal, 13:2 (Fall 1994), pp. 113–23. - R. Bisgrove, William Robinson: Th e Wild Gardener (London: Frances Lincoln, 2008),
p. 189. - See ODNB.
- Festing, Gertrude Jekyll, p. 181.
- W. Robinson (ed.), Th e English Flower Garden: Style, Position, and Arrangements, 2nd
edn (London: John Murray, 1889), p. 156. - Ibid., p. 157.
- Bisgrove, William Robinson, p. 222.
- G. Jekyll, ‘Colour in the Flower Garden’, in Robinson (ed.), Th e English Flower Garden,
pp. 156–61, on p. 157. - Jekyll, Wood and Garden, p. 206.
- G. Jekyll, ‘Preface’, in F. King (ed.), Th e Well Considered Garden (New York: Charles
Scribner’s Sons, 1915), pp. ix–x, on p. x. - G. Jekyll, ‘Colour in Flowers’, Garden, 27:698 (1885), pp. 277–8.
- J. Ruskin, Th e Two Paths: Being Lectures on Art, and its Application to Decoration and
Manufacture, Delivered in 1858–9 (New York: J. Wiley, 1859); Jekyll, ‘Colour in Flow-
ers’, pp. 277–8. - G. Jekyll, ‘Iris Tuberosa’, Garden, 27:695; 701 (1885), pp. 208, 378.
- Jekyll/Barnes–Brand Correspondence, 29 March 1932, Royal Horticultural Society,
Lindley Library, letter 37. - M. Tooley, ‘Th e Plant Nursery at Munstead Wood’, in Tooley and Arnander (eds), Ger-
trude Jekyll: Essays on the Life of a Working Amateur, pp. 114–26, on p. 114. - J. B. Tankard and M. A. Wood, Gertrude Jekyll at Munstead Wood: Writing, Horticulture,
Photography, Homebuilding (Godalming : Bramley Books, 1998), p. 123; Carter’s Tested
Seed Limited, 1804–1968, University of Reading, Museum of English Rural Life, GB
007 TR CAR. - G. Jekyll, Garden, 37:964 (1890), p. 448.
- 21 April 1891. Tooley, ‘Calendar’, p. 216.
- A .T. Gates, Kindred Nature: Victorian and Edwardian Women Embrace the Living World
(Chicago, IL, and London: University of Chicago Press, 1998), p. 188. - G. Jekyll, ‘Sun and the Poppies’, Garden, 31:814 (1887), p. 581.
- Gates, Kindred Nature, p. 188.
- G. Jekyll, Old West Surrey: Some Notes and Memories (London: Longmans, Green &
Co., 1904); M. Batey, ‘Th e Arts & Craft s Background’, in Museum of Garden History
(ed.), Gertrude Jekyll, 1843–1932: A Celebration (London: Museum of Garden History,
1993), pp. 13–15, on p. 14. - Helmreich, Th e English Garden and National Identity, p. 159.