Gender and Space in Rural Britain, 1840-1920

(Jacob Rumans) #1

Notes to pages 128–33 181



  1. Gates, Kindred Nature, pp. 189–90.

  2. Jekyll, Wood and Garden, p. 6.

  3. Festing, Gertrude Jekyll, p. xii.

  4. Pollock, Vision and Diff erence, especially pp. 70–126. ‘[S]paces of femininity’ is based on
    the premise that the experiences and perspectives of women are somewhat moulded by
    the environment they are placed within as a result of the socially constructed defi nitions
    of appropriate venues for respectable women. But, as Jekyll’s career proves, these spaces
    were manoeuvrable and the women within them were able to mould them to meet their
    own needs and to align with their aspirations.


9 Jakubowicz, ‘From England to Eden: Gardens, Gender and


Knowledge in Virginia Woolf ’s Th e Voyage Out’



  1. I would like to thank James Emmott for his valuable feedback on this essay during its
    development.

  2. V. Woolf, Th e Letters of Virginia Woolf, ed. N. Nicolson, 6 vols (New York: Harcourt
    Brace, 1975–80), vol. 1, p 383.

  3. Th is date refers to R. Hakluyt’s Divers Voyages Touching the Discoverie of America and the
    Ilands Adjacent unto the Same, Made First of All by Our Englishmen and Aft erwards by
    the Frenchmen and Britons: With Two Mappes Annexed Hereunto (London, 1582). Alice
    Fox has commented on the relationship between Hakluyt’s work and Th e Voyage Out
    in her article on the subject, where she argues that Woolf ’s concept of the ‘voyage’ was
    greatly infl uenced by this text. ‘Virginia Woolf at Work; Th e Elizabethan Voyage Out’,
    Bulletin of Research in the Humanities, 84 (Spring 1981), pp. 65–84. Gillian Beer draws
    signifi cant links between Th e Voyage of the Beagle and Th e Voyage Out in ‘Virginia Woolf
    and Pre-History’, in E. Warner (ed.), Virginia Woolf: A Centenary Perspective (London:
    Macmillan, 1984), pp. 99–123.

  4. V. Woolf, Th e Voyage Out: Th e Defi nitive Edition, ed. E. Heine (London: Vintage, 1992),
    pp. 28, 18.

  5. Ibid., p. 6.

  6. Ibid., p. 26.

  7. R. Bowlby, Feminist Destinations and Further Essays on Virginia Woolf (Edinburgh:
    Edinburgh University Press, 1997).

  8. Susan Stanford Friedman, in her ‘Spatialization, Narrative Th eory, and Virginia Woolf ’s
    Th e Voyage Out’, in K. Mezei (ed.), Ambiguous Discourse: Feminist Narratolog y and Brit-
    ish Women Writers (Chapel Hill, NC: University of North Carolina Press, 1996), pp.
    109–36 comes the closest to acknowledging the clear links between narrative and space.
    However, it does not explore how these individual landscapes refl ect on the stages of
    Rachel’s development.

  9. S. Ledger, Th e New Woman: Fiction and Feminism at the Fin de Siècle (Manchester: Man-
    chester University Press, 1997), p. 15.

  10. E. Said, ‘Orientalism’, Georgia Review, 31:1 (Spring 1997), pp. 162–206, on p. 162.

  11. K. R. Lawrence, Penelope Voyages: Women and Travel in the British Literary Tradition
    (Ithaca, NY: Cornell University Press, 1994), p. 166.

  12. Woolf, Th e Voyage Out, p. 29.

  13. I bid., p. 224.

  14. Ibid., p. 263.

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