The Guardian - UK (2022-04-30)

(EriveltonMoraes) #1
The Guardian | 30.04.22 | SATURDAY | 51

CULTURE


From a spot of Quadrophenia to


a theatrical take on cricket, our


critics suggest the best use of


your free time this May Day


Theatre
The English Game

Early May coincides
with the beginning of
the cricket season and,
weather permitting, the
bank holiday allows for
a long weekend of dozing
off in the spring sun
with a paperback in one
hand and a lukewarm
pint in the other. Richard
Bean’s The English
Game  has far more to
it, however, with the
Sunday afternoon clash
between the amateurish
Nightwatchmen and
their more talented (and
diverse) opposition
providing the focus for
a darkly funny
exploration of migration,
religion and the long
shadow of empire that
appears additionally
prescient in the wake
of Brexit. Alex Mistlin

B o o k s
A s s e m b l y

Natasha Brown’s debut
n o v e l c a p t u r e s t h e
internal monologue of
a successful Black British
woman as she prepares
to attend her boyfriend’s
family’s lavish garden
party in the English
countryside on a
weekend trip. T he
unnamed narrator walks
through her life leading
up to the “special” social
event; from growing up
poor, to dealing with
her corporate bank
co-workers who loathe
workplace diversity,
to the utopian liberal
politics of her white
partner. It’s only 100
pages long but it’s
packed with poetic
lamentations, cold
truths and electrifying
aphorisms about
class, race and love.
Kadish Morris

Music
The English Riviera

A bank holiday isn’t
necessarily long enough
to get abroad, but it can
off er the perfect window
of homegrown escapism,
an insight into what the
UK could be if we kept
our sun-hat camaraderie
all year round. A love
letter to south -west
coastlines, Metronomy’s
2011 album is pure
summer on wax –
nostalgic and evocative
in its easy, breezy
beats. Press play on
The Look and try not to
immediately picture
yourself swooping down
a helter-skelter with a
sandy ice-cream in hand.
I sn’t life much better
with your out-of-offi ce
on? Jenessa Williams

Film
Quadrophenia

Bomb down to Brighton
with your mates, take
drugs, go dancing, sleep
rough, have sex, have
a massive fi ght, get
arrested – you couldn’t
ask for much more out of
a bank holiday weekend
than Phil Daniels gets
in this cult favourite,
even if there’s quite
a comedown in store.
Adapted from the
Who’s  1973 concept
album, inspired by the
real-life 1960s mods v
rockers beach battles,
and packed with
now-familiar faces,
Q u a d r o p h e n i a g i v e s y o u
all the buzz of the big
weekend, but also the
harsh reality of a youth
culture that’s often
viewed through rose-
tinted John Lennon
glasses. Steve Rose

THE CULTURAL PRESCRIPTION FOR ...

T V
Top Boy

The latest season of the
London gang drama is as
heavy and gritty as ever.
Murders are frequent
and brutal, a pregnant
woman attempts to
fl ee domestic abuse in
Liverpool, and the walls
begin to close in on a
criminal empire, with
drug kingpins begging
for retirement while
struggling to keep their
own noses clean. Series
four takes the action to
Morocco, and features
beautifully shot scenes
of Jamie (Micheal Ward,
pictured top) staring out
at the Mediterranean
coastline, young boys
running around the
beach, and yachts’ bows
caressing the ocean’s
waves. Between storms,
there are moments of
gentle sunlight that will
make you want to jet
away (though hopefully
not to oversee the
transportation of drugs).
Jason Okundaye

Yo u r l o n g


we ekend


KEITH PATTISON; COLLECTION CHRISTOPHEL/ALAMY; NETFLIX


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RESCRIPTIONRESCRIPTION F FOROR ... ...
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