The Guardian - UK (2022-04-30)

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Saturday 30 April 2022 The Guardian •

National^33


Depp-Heard trial


Booze and pills blot


Hollywood mystique


Edward Helmore

A


mber Heard has sat
impassively through
10 days of Johnny
Depp’s $50m (£40m)
defamation case
against her stemming
from their volatile, 15-month
marriage. Next week, the 36 year-
old actress will get to present her
version of events in support of a
$100m counter claim for nuisance.
The trial between the pair has
been an unedifying spectacle of a
horrifying relationship that so far
only Depp has had the opportunity
to present to the court.

in any way enviable. Instead, it has
been a painful story of substance
abuse, a deeply dysfunctional
marriage , professional woes and
plotting.
The court was told last week
that the American Civil Liberties
Union (ACLU) had written the draft
of the now infamous Washington
Post article upon which this legal
action is based, and off ered it to
the newspaper to coincide with the
release of Heard’s Aquaman fi lm.
Heard, the ACLU’s general counsel
testifi ed, had pressed to go further,
identifying herself as an abuse
survivor, but her lawyers excised
the passages lest they violated her
divorce non-disclosure agreement.
Depp’s generali sed argument –
that he was docile as a prescription
opioid addict, but wrestled with
a “monster” when drinking, was
coupled with observations made
yesterday that household alcohol
spending dropped from $160,000
a year during their marriage to
“virtually nil” today. Some of
that spending, Depp’s accountant
testifi ed, went toward Heard’s taste
for $500-a-bottle Vega Sicilia wine.
The tableau presented to the
court this week included images
of Depp’s exploded fi nger after a

fi ght in a rented house in Australia
that caused $50,000 in damage.
The testimony, provided by
a succession of aides, agents,
concierge doctors, psycho-
analysts, housekeepers, doormen
and bodyguards, has left the
impression of a dysfunctional
environment that might have been
brought to account sooner if there

had been fewer resources and
enablers to support it.
Public opinion is so far siding
with Depp. According to a
Rasmussen Reports national
telephone and online survey , 40%
of those polled said Depp was
probably telling the truth, 10%
th ought Heard was probably telling
the truth.
Some have raised concerns that
the trial, coming so soon after the
Will Smith-Chris Rock Oscars slap,
has bought the entire construct of
Hollywood celebrity into disrepute


  • as a dissertation on fame as a
    personal curse – re-enacted in a
    suburban courtroom.
    Still, even 20 or 30 years ago a
    defamation trial like the Depp-
    Heard case would probably have
    drawn more attention , said Derek
    Long, an assistant professor of
    media and cinema studies at the
    University of Illinois Urbana-
    Champaign , but it could in time
    attain some larger signifi cance.
    “Depp is marshalling cancel
    culture as part of his defen ce
    because it connects to the culture
    wars in a way that is unique to this
    moment ,” Long said. “So it may
    be less about facts of the case and
    more about the buzzwords.”


Removal of varnish transforms


Constable’s Waterloo Bridge


Harriet Sherwood
Arts and culture correspondent

Layers of yellowed varnish have
been painstakingly removed from
a John Constable painting of Water-
loo Bridge to reveal new detail of the
early 19th -century Thames skyline
and a bright blue sky.
The painting – the largest created
by Constable – “has been dramatically
transformed by the conservation
treatment ”, said Sarah Maisey , a

senior remedial conservator for
paintings at the National Trust, which
undertook the work.
Experts spent more than 270
hours removing several layers of
badly yellowed varnish that had
obscured and dulled the detail of
the Embarkation of George IV from
Whitehall: t he Opening of Waterloo
Bridge, 1817.
“There had been some earlier
tests which showed that this paint-
ing would respond really well to
varnish removal, but it has been a

particular delight to see the quality
of the improvement,” said Maisey.
“There were challenges. It had
been painted and varnished at dif-
ferent stages, so care had to be taken
to ensure that the solvents being used
to thin and remove the varnish layers
didn’t also aff ect the paint layer. We
are delighted with the fi nal result.”
Constable, who mostly painted
pastoral scenes, is believed to have
been infl uenced by Canaletto’s depic-
tions of water pageants in Venice. The
painting shows the royal barge and
other barges on the Thames about
to set off for the opening of Waterloo
Bridge, which is in the background.
Constable is thought to have been
present when the bridge was opened
by the prince regent on 18 June 1817.

In 1942 it was replaced by a modern
concrete structure.
John Chu, a senior curator of
pictures and sculpture at the National
Trust , said: “Constable’s painting of
Waterloo Bridge, full of the pageantry
and colour of urban life, is a signif-
icant contrast to the quiet country
scenes he is more famous for. ”
The painting was never exhibited
in Constable’s lifetime, remaining in
the artist’s studio until his death in


  1. It passed through several hands
    before reaching Anglesey Abbey in
    Cambridgeshire. After the conser-
    vation work it will return to hang in
    the abbey’s library, where the pan-
    els and shelves are made from timber
    salvaged from the piles of the bridge
    when it was dismantled in 1936.


The damage to each of them
from their marriage, divorce and
subsequent highly public and
epic legal battles is conspicuous.
Heard walked away with a $14m
settlement under California’s
communal property no-fault
divorce laws, using the threat of
a restraining order to negotiate
for more, but little in the way of a
movie career. Depp, too, lost work,
having being dropped by Disney’s
Pirates franchise when allegations
of domestic abuse against him were
made by Heard in 2016.
And for both, the long days of
testimony have taken the sheen off
any sense the public may have had
that either of the actors’ lives of
apparent wealth and glamour were

Supposed costs


of ‘vampire


devices’ based


on zombie data


Alex Hern
Technology editor

As households look for opportunities
to cut the bills, headlines suggest-
ing you can save hundreds of pounds
by turning off unused chargers are
appealing. But, experts say, such
claims about “vampire devices” are
more like a zombie statistic.
One recent report from British Gas
claimed “Brits could ... save an aver-
age of £110 per household per year by
simply fl icking a switch ”. The energy
provider claimed that 23% of British
energy bills were caused by “vampire
electronics, those that continue to
drain power when left on standby”.
But that statistic comes from a 2015
report from the US National Research
Defen se Council , based on analysis
of homes in California , and con-
sumers may struggle to make some
of the suggested savings: a third of
the “always on” electronics identifi ed
are “recirculation pumps, fi shponds,
aquariums, and protected outlets in
bathrooms, kitchens and garages”.
Craig Melson, associate director for
climate, environment and sustaina-
bility at techUK, said: “Things have
dramatically improved since those
studies were fi rst carried out. Pro-
cessors are low power, screens have
switched from LCD to LED technol-
ogy, fridges and washing machines
have become more effi cient. ”
Melson suggested examining “eco
mode” settings on TVs and games
consoles, turning off features such as
auto-updates to reduce standby use.
British Gas did not reply to requests
for comment.

 A conservator
fr om the
National
Trust works
on Constable’s
painting of the
1817 opening of
Waterloo Bridge
PHOTOGRAPH:
JAMES DOBSON/
NATIONAL TRUST

▲ Amber Heard: to speak next week

▲ On the stand: Johnny Depp
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