The Sunday Times - UK (2022-05-01)

(Antfer) #1
1 May 2022 47

THE BEST TV FROM SKY 1 AND BEYOND... THURSDAY 5 MAY


The new true-crime mini-
series The Staircase (today,
Sky Atlantic, from 9pm), which
centres on a novelist accused
of murdering his wife, has a
strong cast led by Colin Firth
and Toni Collette. This pair’s
career highlights give you
plenty to choose from. Firth’s
wet-shirted Darcy in 1995’s
Pride And Prejudice can be
seen on Britbox, and The
King’s Speech (2010) is on
Netflix. Collette’s work
ranges from the lovable 1994
comedy Muriel’s Wedding
(Amazon Prime Video) to the
2018 spinechiller Hereditary
(Netflix). The Staircase’s chief
writer-director, Antonio
Campos, is not as famous but
he has made intriguing films.
They include Netflix’s The
Devil All The Time (2020),
a lurid tale of backwoods
America with Tom Holland
and Robert Pattinson.
Edward Porter

Top Hat (BBC4, 9pm)
BBC4 dances the night away
with Fred Astaire and Ginger
Rogers this evening. The Gay
Divorcee (10.40pm), the 1934
film that gave the duo their
first purpose-built showcase,
is preceded by this classic
from 1935. Featuring songs by
Irving Berlin and an easy blend
of romance and screwball
comedy, Mark Sandrich’s
film is the movie that best
encapsulates the charm of Fred
and Ginger’s fantasy world.
Also on BBC4, bookending
these films, are two relevant
documentaries: a chapter
from The RKO Story (8pm)
and an episode of Talking
Pictures (12.20am). (1935)

Them That Follow
(Film4, 9pm)
A tale of pious rednecks who
handle venomous snakes, this
messy drama has oddity value
— partly because of its subject
matter and partly because one
of its characters is improbably
played by Olivia Colman.
Co-dirs: Britt Poulton, Dan
Madison Savage (2019)
Edward Porter

Hunter gatherer: Myles (Alibi, 9pm) Top that: tails they win (BBC4, 9pm)

FILM CHOICE


ON DEMAND


Julia (Sky/Now)
If there is a fault with Sarah
Lancashire’s performance as
the American television cook
and broadcasting pioneer
Julia Child in this delicious
eight-part drama, it’s that her
acting is so natural and so
seemingly effortless that you
worry people won’t see the


Bang Bang Baby (Amazon)
Set in Milan in the late 1980s,
this Italian-language crime
drama stars Arianna Becheroni
as Alice, a shy teenager who
joins a crime syndicate in the
hope of impressing her father.
Hyperkinetic, irreverent and
violent, it riffs on everything
from Trainspotting to Breaking
Bad to the neon-lit nightmare
cinema of Gaspar Noé and
Nicolas Winding Refn.
Andrew Male

London Rock (YouTube)
The faceless online archivists
must once again be saluted for
unearthing a rare gem, in this
case Lawrence Moore’s early
1970s profile of the London
counter-culture that examines
the turn-of-the-decade fashion
for paganism (Stonehenge,
druidic rites, etc) and “getting
it together in the country”. It
features rare performances by
Fairport Convention, the Faces,
Jethro Tull and Marc Bolan.

Once You Know
(Buy as stream/download)
Pessimism gives power to
this documentary on global
warming. Whereas most
film-makers addressing this
subject look for rays of hope,
Emmanuel Cappellin talks to
thinkers who believe disaster
is inevitable and that we need
to plan for social upheaval.
Although a touch pretentious
in its manner, the film is
grimly fascinating. (2020) EP

labour and the craft come
awards time. It’s a magnificent
show, simultaneously joyous
and melancholy, subtle in its
emotional complexities, with
a Mad Men-like attention to
period detail and a perfect
supporting cast (particularly
David Hyde Pierce as Paul
Child, watching his wife’s
career take off as his fades);
but, ultimately, this is
Lancashire’s hour, and she
devours it with relish.

Sobering thoughts: can Roisin Gallagher handle returning to her parental home? (Britbox)

The Dry (Britbox)
In some Irish female-centred
comedy dramas — Sharon
Horgan’s Women on the
Ve rg e, Aisling Bea’s This Way
Up — the heroines are Celtic
Bridget Joneses, but with their
mild anxieties and excesses
seemingly turned into
full-blown mental illness.
The Dry conforms to the rule,
as Shiv (Roisin Gallagher), a
recovering alcoholic, returns
from London to her parents’
(Ciarán Hinds and Pom
Boyd) Dublin home and,
like Bridget, gets everything
wrong — how to behave
at an AA meeting, please
everyone, deal with an ex.
In the best scenes, the rest
of her family share the
spotlight. They, too, are
misfits: unsure how to be
mother and father to a live-in
gay son and a supposedly
sensible daughter.
John Dugdale

Secret Spenders (C4, 8pm)
There’s a nod to rocketing fuel
prices and household inflation
in the introduction, but let’s
not kid ourselves, Anita Rani’s
show is not targeted at those
struggling to keep body and
soul together, it is a blatant
excuse to boggle at lunatic
overspenders. Tonight,
Londoner Rai is worried that
her husband is addicted to
shopping in TK Maxx, but the
impact of her £2,700 facials,
their twice-a-week takeaways
and lunch dates at The Ivy
seem to have passed her by.
Will “lifestyle guru” Anna
Whitehouse’s advice to
take advantage of free taster
sessions at all their local gyms
make a dent in their — or real
cash-strapped viewers’ —
finances? It all feels very 2019.
Helen Stewart


Paul Merson — A Walk
Through My Life (BBC2, 8pm)
A companion to his raw 2021
documentary about gambling
addiction, this film sends the
former England footballer
into the Yorkshire countryside
with only a 360-degree
camera. Plenty of space, then,
to contemplate his demons
— and the role faith and family
play in fighting them.

Meet The Khans —
Big In Bolton (BBC3, 8pm)
Welcome to the beautifully
groomed world of boxer Amir
Khan and his wife, Faryal
Makhdoom, preparing to spend
three months apart as he heads
off to train for his grudge
match against Kell Brook.
Lifestyle insights include
press conference protocols
and how to buy a new suit.

We Hunt Together
(Alibi, 9pm)
This stylish thriller revolves
around Hermione Corfield’s
Freddy Lane, a character who
could happily hang out with
Killing Eve’s Villanelle and
Luther’s Alice Morgan. Babou
Ceesay and Eve Myles are the
detectives drawn back into her
orbit in this second series.
Victoria Segal

CRITICS’ CHOICE


Strong double act
hits our screens
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