The Sunday Times - UK (2022-05-01)

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18 May 1, 2022The Sunday Times


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the purchase of the property,
it may be the case that you
hold the beneficial title in four
equal shares. If the other
couple is unable or unwilling
to buy your shares, then you
could discuss with them
putting the property on the
market for sale and, once
the property is sold, your
respective shares would be
paid from the proceeds. If the
other couple refuse to sell the
property then you could seek
an order for the sale under
sections 14 and 15 of the Trusts
of Land & Appointment of
Trustees Act 1996.
As such proceedings can
involve significant costs, it
would be worth seeing if there
is any way to resolve concerns
that the other couple may
have about a sale, and you
may also want to consider
taking part in a mediation.
If a negotiated settlement
agreeing the terms for a sale
is not possible, then you can
apply to court for an order
providing for the marketing
and sale of the property, as
well as the distribution of
sale proceeds. You should
instruct specialist solicitors
to act for you in relation to
such proceedings as they
can be complicated and
time-consuming.

Jonathan Achampong, partner
within the residential property
team at Wedlake Bell

Send questions to
homehelp@sunday-
times.co.uk. Advice given
without responsibility

WE OWN A
HOLIDAY
HOME WITH
ANOTHER
COUPLE AND
WANT TO SELL UP

Q


My wife and I are
joint owners of
a holiday home
with another couple. Once
we are mortgage-free we
wish to sell our share,
hopefully while we are
both alive (rather than
immediately after one of
us dies). Where do we stand
if the other couple can’t
buy our share and do not
wish to sell? We do not have
any written agreement,
legal or otherwise. I’m
not even sure we ever
discussed it all those years
ago (big mistake).
Anonymous

A


Ownership of land in
England and Wales is
categorised in two ways: the
“legal title” and the “beneficial
title”. The beneficial title can
be held as either “joint
tenants” or “tenants in
common”. When co-owners
are joint tenants, each owns
the whole of the property,
rather than a distinct share.
When a joint tenant dies,
the property passes to the
surviving joint tenants,
rather than to their personal
representatives as part of their
estate. Where each owner
owns a separate share in the
property, this is known as a
tenancy in common.
Assuming the four of you
contributed equally towards

HOME


HELP


READERS’ CLINIC
HOW DO I REMOVE THE BLACK DEPOSITS FROM AN
IRON SOLEPLATE?
Midge Broadhurst,
Cheshire

Heat the iron to a
high setting and then
rub with a paracetamol
tablet (oblong ones, not
round ones). Take care to
avoid burning fingers! Wipe
off residue, run iron over
clean cloth.
Wendy Martin, Caerphilly

Heat iron and use a
paracetamol tablet
(not caplet) to wipe off
deposit. Use eyebrow
tweezers to stop fingers
getting burnt! Wipe residue
with kitchen towel.
L Taylor, Peebles

Most deposits appear
because the iron is set
too hot for the material;
polyester is the worst
offender. So check your
setting. Clean with liquid
cleaner such as Cif with
an abrasive plastic sponge
and rinse off. If deposits
are heavy scrape first. A
Stanley window scraper
is ideal — avoid digging

blade corners into
the soleplate.
Dr Andrew Bamji

Wipe soleplate
while warm (not hot)
with a cotton cloth dipped
in white vinegar.
Sissel Harrison

Put hot water into a shallow
baking tray. Sprinkle in
dishwasher powder in the
size/shape of soleplate.
Place iron on powder area,
just below waterline. Water
should be shallow so as not
to cover the soleplate sides.
Leave overnight. Clean off
with rough cloth.
Robert Bullock

FUTURE QUESTION
lHow do you stop clingfilm
from tearing, then sticking
to itself and becoming
unusable? How do you
uncling it once it has
become torn and clingy?

Send tips and questions
to homehelp@sunday-
times.co.uk. Advice is given
without responsibility

TIME AND SPACE THE WAY WE LIVE NOW


HAMISH BOWLES


The interiors editor on style, long


soaks in the bath, and being burgled


DAVID M BENETT/GETTY IMAGES; ANNA STOWE/ALAMY; NEW YORK INTERIORS BY SIMON UPTON PUBLISHDED BY VENDOME PRESS

Tangier in Morocco, there
was this wonderful spirit of
eclecticism and transporting an
idea of England or France into
what was available in Morocco.

Which is your favourite room?
My favourite room is the living room
in my New York place, which I
transformed into a library. I worked
with Roberto Peregalli and Laura
Sartori Rimini of Studio Peregalli. It’s a
little bit of that expatriate in Morocco
idea of transplanting an Italianate
vision of what an English gentleman’s
residence might look like in New York.

Name an item you could not
live without
Probably a clay handprint of my
nephew, made when he was five.
I’m also partial to a portrait of
Truman Capote by Réné Bouché.
It belonged to him [Capote] and was
the image he used as the author’s
portrait on the dust jacket of
Breakfast at Tiffany’s.

Is there a big difference between
American and British attitudes
to interiors?
There’s a more robust embrace of
professional decorators in America.
The industry makes it quite difficult
for someone even to shop for the
higher-end interiors fabrics and
wallcoverings in the States, because
you need a decorator’s resale number.
Here there’s a little bit of a sense you
ought to be able to do it yourself.

Where was the worst house
you lived in?
When I was nine and into my early
teens we lived on a smallholding in
Kent. I realised what an urbanite
I was, but I’m glad I had the
experience. It did give me a burning
drive to return to a metropolis.

What was your worst disaster
at home?
A burglary. They took some things of
material value, which I wasn’t really
exercised about, but scooped up
anything that looked like jewellery,
and all kinds of things without value
on the resale market. Things like all
the cufflinks I’d collected in various
places around the world since a
teenager, and brooches I’d saved up to
get from Andrew Logan in the 1980s.
Personal things that wouldn’t mean
anything to anyone else.

Guiltiest home pleasure?
Long baths with a lot of unguents. I’m
currently bingeing on [the HBO TV
show] The Gilded Age. It’s irresistible.
Interview by Katrina Burroughs

The May issue of The World of Interiors
is on sale now

I


am living between two places
at the moment. I have my
apartment in New York, which
I’m seeing a great deal less of.
I’m currently staying with a
hospitable and indulgent friend in
Kensington, with a bedroom that
looks out on to a communal garden
that’s filled with magnolias and
camellias. It’s difficult to leave,
although I am on a house-hunt.

Do you feel under pressure to have
a stylish home, given your job?
My homes have been a reflection of
my travels, interests, obsessions and
passions, so they are very personal. If
anyone would consider them stylish
it’s certainly not what I set out to do.

Which home first inspired your
interest in interiors and how?
When I was 14 or 15, I went to Reddish
House in Broad Chalke, Wiltshire, for
the sale of the late Cecil Beaton’s
house contents. It was as though Cecil
had just stepped out into his garden to
smell the roses. There were these
exuberant flower arrangements
everywhere, and 18th and 19th-
century antiques. The whole
theatricality of it I found completely
beguiling. Every single thing was
covetable. And after that, going to

Hamish Bowles’s New York home,
above and below. Reddish House
in Broad Chalke, Wiltshire, top
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