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LETTER OF THE MONTH SUPPORTED BY OLD PULTENEY WHISKY


96

Letters


CLASSIC BOAT MAY 2015

Thank you for an excellent
evening at the awards. As you
were concerned at my transport
problem I thought I would provide
you with a blow by blow account
of the journey home:
We cast off from the Cork
Street Pier and quickly tacked into
the Regent, heading east south east
on a broad reach. On arriving at
the Piccadilly Rocks we dropped
anchor to secure the cargo as it
had slipped out of the trouser top
and immediately hove to in the
Leicester tide race having been
carried that far by wind and
current. Here we had a slight
brush with several dolphins and
sea serpents singing and dancing
before our eyes. Resisting the call
of the Sirens, we again upped
anchor and with a good wind left
Cape Trafalgar to our port and

Navigating


in London


Is a 50-year-old GRP boat a classic?


Any news of Panther III?


followed the Strand for some way. We
kept a weather eye on the dangers of
drifting into the Savoy Bar. Having
turned South we arrived at Waterloo
Docks to see many Bulgines off-
loading cargo and at pier 8 boarded
the Weymouth Packet without
incident or delay. With a good wind
and a fair sea we eventually arrived at
Poole and traversed the town, keeping
a close eye out for vagabonds and the
like. Just past the hour of midnight
we boarded our van and proceeded,
again without incident, to Swanage
and home.

Above: Pete
Segwick (left) out
on his own was
the toast of the
streets of Mayfair

CHARLIE NOON

ROBIN CLABBURN

I was wondering if any of your American readers could shed
light on the fate of Hubert Scott Paines’ boat Panther 3.
This boat was raced in Europe winning the 6 litre Coppa San Marco,
a 120m race down the Danube from Vienna and finally winning the
Coppa Achille. She then went to America with Scott Paine to race.
She is 23ft x 6ft beam powered by a Gray marine super six 330 cu
inch engine. The photos were taken in the mid 1990s to assist in the
restoration of another Sea Arrow by the Military Power Boat Trust.
Panther 3 then belonged, I believe, to Jeffrey Ridgway in Chester CT.
She was in the open under a canvas so it is possible she has not
survived. I would be very interested to hear of her fate.
Martin Bingham, Lound, Notts

Your comment about whether a
50-year-old GRP boat is classic or not
raises the eternal question as to what
makes a classic. It does seem
improbable that no classic has ever
been designed since boats stopped
being traditionally built in wood. At
Charles Stanley Cowes Classics Week
(CSCCW) we want to be as inclusive
as possible, but we’re not a wooden
boat festival and we’re focused on
yachts that want to race, not working
boats, so to CSCCW any boat,
however old, is not necessarily a
classic yacht. What we are is an event
that offers the race track and
resources for boats that time has
passed by and to provide an
international event at which a
community can develop that respects
heritage and provenance of the boats.
On that basis, what makes a
classic to CSCCW are boats that in
the past have contributed to
advancement of the sport by

The cargo was immediately
inspected and with the deft hand
of a professional iron all was made
good. The cargo is now in pride of
place on the fridge, soon to be
dispatched for framing!
Pete Sedgwick, Summerwine Boats

Reply: Oh that’s very good – that’s
made us laugh! It was good to
meet you and thanks for making it.
After you’d slipped we carried on
loading at the Cork Street Pier
until the stevedores had got the
cargo level with the gunwales.
Then we cast off and hoped to do
well on a beam reach heading NE
by N bound for Hanover. But with
our decks awash we decided the
conditions were too rough to
continue and so we rounded up all
standing in the lee of the
Burlington Harbour Arms. The
landlady there helped to warp us
in and we passed a happy hour or
two carousing in the warmth of
some good British cheer.

designers and sailors. So the Tempest
(a trapeze keelboat) and the Soling
(inspired by 5.5mR), both past
Olympic classes and sailed by the best
sailors of the time have definitely
made that contribution. Others may
be derivative classes, such as the
Camper & Nicholson production
classes and the Contessa 26, which
owe a debt of gratitude to earlier
designs, taking advantage of newer
manufacturing techniques. In
addition, as most of our boats are
one-design or development classes we
need to respect rule changes and
design trends throughout the life of
the class and allow the boats to sail
together if that’s what the class wishes.
Is 50 years the right cut-off for
GRP boats? It may be arbitrary, but
it is a significant milestone and it’s
not a fixed date that freezes in
perpetuity which boats may join in.
David Elliott and Peter Taylor,
Charles Stanley Cowes Classics Week

CB323 Letters DH.indd 96 24/03/2015 16:26

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