Classic_Boat_2016-06

(Grace) #1
NIGEL SHARP

Top: The original
binnacle made by
the Herreshoff
Manufacturing
Company.
Bottom: Running
backstay tackles

SERENADE


Herreshoff who also worked for Burgess) before moving
to California in the late 1920s. Although he subsequently
became known as “the Herreshoff of the West”, many
believe he never attained the reputation he deserved.
Having initially considered another Potter design – the
California 32 (32ft on the waterline and 46ft overall)
which was originally intended to be a double-ender until
one of the first owners expressed a preference for a
transom stern – Heifetz commissioned Serenade as he
really wanted to take part in the Transpac from San
Francisco to Honolulu, and to do so in some comfort.
There was clearly a sensitivity that any hand injury could
end Heifetz’ career (his hands were reputed to be insured
for a million Dollars) and some features of the boat
reflected this – the sheet winches, for instance, were
mounted on the coachroof clear of the cockpit,
supposedly on the insistence of the insurance agent – and
perhaps that was the reason why his wife apparently put
him off entering the Transpac. In 1942 – when he was
planning to commission Potter to design an M-Class
yacht which he would have called Symphony, although
nothing ever came of it – Heifetz sold Serenade to the
Isaacs brothers, one of whom, Charles, married the
actress Eva Gabor the following year. During the decade

T


his was one of the more bizarre sails of
my life. I was on board the N Class sloop
Serenade off St Tropez where, surely, the
sun always shines; and yet the rain was
falling as it had rarely fallen before and it
was finding its way past a set of foul
weather gear I had previously regarded as pretty good.
Before we left the dock, the skipper and I had agreed
that I should sail more as a “guest” than a crew member
and keep out of the way in the cockpit, so as not to
interfere with the well-practised routines of the regular
crew. It was just as well because throughout the race the
dialogue was entirely in French, leaving me bewildered
and wishing I had worked harder all those years ago – I
failed French O-Level three times with worsening grades


  • while the owner sat next to me occasionally calling out
    incomprehensible words with various levels of
    excitement in his voice.
    Serenade was designed by Nicholas Potter for Jascha
    Heifetz – “perhaps the greatest violinist of his time”
    according to the New York Times – and built in 1938 by
    Wilmington Boatworks, California. In his early years
    Potter had worked for both Nat Herreshoff and Starling
    Burgess (and was a lifelong friend of Nat’s son L Francis

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