WHERE PARIS PROMOTION
© Noel aux Invalides 2016, production société Amaclio
H
oused in the Hôtel National des Invalides
that was built by Louis XIV, the Musée de
l’Armée, the national military museum of
France, is a unique institution in the heart
of Paris topped off by a glistening golden dome visible
throughout town. And from December 15th through
to December 31st, a unique event is being played out
at the Invalides, Christmas at the Invalides. The event
offers a rich programme of Christmas readings and
concerts in partnership with Radio Classique, the
Orchestre de la Nouvelle Europe and music from the
French Army. Special commentated visits, a spectacular
staging of the historic figurines in the Cabinets Insolites
and special visits for children and contests are all on the
agenda.
Every evening when night falls an illumination
show offers a light-filled musical production in the
Church of the Dôme with an exceptional staging of
hundreds of candles and candelabras surrounding the
tomb of Napoleon.
The museum in and of itself is home to
extraordinary and unique collections bringing
together arms, sumptuous formal state pieces and
recent military equipment reflecting the position
of new technologies in contemporary conflicts. It
is one of the five most visited museums in France
and through its collections one of the three leading
military museums in the world. And the structure also
houses the tomb of Napoleon Bonaparte.
The institution’s collections are bountiful, diverse
and emanate from myriad sources. Some 500,000
works, objects and documents dating from the Bronze
Age to the 21st century form the backbone of the
museum’s collections. Among the exceptional pieces
in the museum one finds the armour given to Louis
XIV by the Republic of Venice as well as that of Francis
1st, an object that gives an idea of the king’s incredible
height, estimated at 1.98 metres. Numerous objects,
arms, personal belongings and the coronation regalia
of Napoleon Bonaparte dating from the beginning of
his military career to his exile on Saint Helena are also
found within the collection.
A great draw is the Old Department, which
contains one of Europe’s major collections of weapons
and armour displaying this aspect of military history
from the 13th to the 17th centuries. The display, which
includes the Crown collections, is a chronological and
thematic presentation of arms and armour dating
from Saint Louis to Louis XIII. There is a remarkable
collection of medieval swords in a room devoted to
armour and arms from the 13th to the 15th century
while the Louis XIII room features arms and armours
related to the major figures of French history from
Francis I to Louis XIII.
129 rue de Grenelle (7th), 08 10 11 33 99
Music and Light at the
HÔTEL NATIONAL
DES INVALIDES
76 WHERE Paris i deceMBer 2017
Pablo Picasso (1881-1973), Portrait de Françoise, 30 juin 1946, Crayons de couleur sur papier à dessin, 65,7 x 50,5 cm. Paris, musée national Picasso – Paris, Inv. MP1367 © RMN-Grand Palais (musée national Picasso - Paris) / Béatrice Hatala ©Succession Picasso, 2017; La Lecture (MP137), Pablo Picasso, 2 janvier 1932, Boisgeloup. Huile sur toile. Paris, musée national Picasso-Paris Photo © RMN-Grand Palais (musée national Picasso-Paris)/ Mathieu Rabeau © Succession Picasso 2017- Gestion droits d’auteur Fichier RMN : 16-516693
arts&attractions^
Exhibitions
t
wo exhibitions, one right in town and one in the nearby scenic
suburb of sceaux are showcasing the works of Pablo Picasso.
The department of the Hauts-de-seine is presenting, in collaboration with
the Musée National Picasso-Paris, an exhibition entitled Picasso devant la
Nature devoted to how the artist depicted nature in his work. The show is
being held at the Musée du domaine départmental de sceaux just outside
of Paris. Through some 80 works emanating from the Picasso museum
of Paris including paintings, drawings, engravings and documents, the
show proposes to demonstrate that nature is a powerful catalyst in the
imagination and creation of Picasso and not just a simple secondary decor.
He would say of nature, “it is not from her i work but before her, with
her.” The show, which opens with an explanatory video, revolves around
four major themes and is divided into six sections. The themes include
the representation of nature in his works, the use of natural elements in
his creations, the illustration of a major scientific work on nature, Buffon’s
Natural History, and the study of a particular motif, the woman-flower.
Meanwhile, at the Museum National Picasso-Paris, a show entitled Picasso
1932, the erotic Year, traces with chronological rigour, one year of creation
in the plethoric production of Pablo Picasso. The visitor is invited to
follow the creative process of Picasso in the year 1932, a year regarded as
being a particularly rich one in the artist’s career. The show organised by
the Musée Picasso (where it is being held) in conjunction with the Tate
Modern can be regarded as a reflexion on the artist’s famous expression,
“Painting is just another way of keeping a diary.”
among his landmark works of 1932 one finds Les baigneuses (The
Bathers), an on-going theme in his work as well as the colourful
compositions revolving around Marie-Thérèse Walter, Picasso’s mistress
and model from circa 1927 to 1935. in parallel to these sensual and
erotic works, the artist returned to the theme of The crucifixion while
Brassaï undertook a photo reportage in Picasso’s studio in Boisgeloup in
Normandy in december of the year in question.
Picasso devant la Nature
showing through to december 31st
Chateau du Domaine Départemental de Sceaux
8 ave Claude Perrault, 92330 Sceaux, 01 41 87 29 50
Picasso 1932, the erotic Year
showing through to February 11th
Musée Picasso
5 rue de Thorigny (3rd), 01 85 56 00 36
A Pair of Picassos