E (165)

With 22 x BMFLs in the rig, James had all the
tools he needed to ensure this happened
with fi nesse and to great eff ect.

Passenger’s video content was created by
Sarah Larnach, who also produced the album
artwork and all the drawings and media was
formatt ed by Lydia Baker of Screen Light
Design in the UK and run from a Catalyst
laptop provided by Meadia which did the
whole tour.

Lighti ng was programmed on a grandMA

Command Wing which also travelled with

James and the touring crew throughout the

seven month world tour.

In Australia, MPH’s lighti ng Crew Chief was

Michael Parsons. James said, “Michael and

the MPH team were fantasti c – it was a real

pleasure to work with all of them”.

MPH has invested heavily in Robe moving

lights and has just taken delivery of its second

batch of BMFLs in January, making them the

largest stockist in the country right now!

They were supplied via Robe’s Australian

distributor ULA Group.

The Passenger tour started in summer 2014

with the launch of the ‘Whisper’ album, and

most of it has featured Robe moving lights,

including the three month UK and European

secti on, with MMX Spots and Robe 600s

supplied by rental company Siyan.

http://www.robe.cz

“..a very fl exible fi xture, they are ideal for key light because

you can force virtually any colour out of them and sti ll

maintain good skin tone for the cameras..”

• James Scott , on the Robe LEDWashes

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March - April 2015