Lonely_Planet_Asia_February_2017

(Amelia) #1

CYCLADES


W


ITH THE GRACE AND
poise of a ballet dancer,
one clogged foot is raised
steadily into the air. The
leg to which the foot is
attached extends with equal measure until
it is entirely straight. There it hovers, dead
still, until the limb is brought down with
sudden force, the stamp of foot on pavement
like the shot from a pistol.
It is one small part of a ceremony that
takes place every hour outside Athens’
parliament building: the changing of the
guard. The soldiers, in beige kilts, red berets
and pom-pommed clogs, remain resolutely
focussed, even as sweat rolls down their
faces and spectators dive in for photos.
The city seems made for drama. In the
alleyways of nearby Plaka, waiters invite
diners into their restaurants with promises
of plate-smashing, while men noisily slap
down backgammon counters in smoky bars.
Down streets paved with marble and shaded
by orange trees, crumbling columns and
arches rear up like ancient ghosts. They are
but a warm-up act to the main stealer of
limelight in the city, though: the 2,500-year-
old Acropolis that presides over Athens
from a hill right at its heart. Built as home of
the gods, with a temple devoted to Athena at
its core, the survival of the complex is due in
part to its ability to change purpose over the
millennia, from temple to mosque, church to
harem. Now, it serves both as a Greek history
lesson brought to life, with archaeologists
and tourists alike gathering to wonder at
the ingenuity of its makers, and a romantic

backdrop for the couples who gather to
watch the sunset from the olive groves
of nearby Filopappou Hill.
There are different gods to worship these
days. At Brettos, Villy Saraidari, resplendent
as Athena in an electric blue dress, pours
clear liquid from an oak barrel and places
the glass on the marble counter. A photo of
Mr Brettos, who founded the ouzo distillery
in 1909, hangs in the room that has changed
little since. Villy fell in love with the place
as a customer, and now indulges her passion
for its many types of ouzo from behind the
bar. ‘We have people come in who are 70
years old and they start crying. They
remember being here as kids,’ she says. ‘It
still has the same spirit, the same history.’
In Gazarte, home to the old city gasworks
and a rapidly changing nightlife, bartenders
are somewhat less respectful of tradition.
‘People said when we started that this was a
terrible idea, that the Greeks only like what
they already know,’ says owner Thodoris
Koutsovoulos, sitting under a fig tree in the
backyard of MoMix, an operation that is part
theatre, part laboratory, part bar. Cocktails
are presented in solid, wobbly bubbles that
explode in the mouth, in chewy, deceptively
alcoholic lozenges, or in glasses that swirl
with dry ice. The place is full every night.
Round the corner from MoMix, there is no
grand announcement for Funky Gourmet: just
a nondescript door and a doorbell. Head chef
Georgianna Hiliadaki, her blonde hair in wild
curls, makes sure all the drama comes out of
the kitchen. Placing a lamb’s tongue in a
gold-painted sheep’s skull, part of a dish

Catch a taxi to Piraeus port for the three-hour fast
ferry to Mykonos (from US$62; seajets.gr).


  1. Athens


Start your journey in the cradle of Western civilisation, getting to grips with both


ancient history and startling innovations in the restaurant and bar scene


Sweet Home is a small, friendly hotel on a
sidestreet a short walk from the restaurants of
Plaka, the Acropolis and parliament. Rooms are
quiet and comfortable and have parquet floors;
those on the top floor have beamed wooden
ceilings. Some have Acropolis views across the
rooftops (if you stretch) and small balconies
(from US$130; thesweethomehotel.com).
Acropolis entry US$21, or take a guided tour for
US$36 (athenswalkingtours.gr). Funky Gourmet
tasting menu US$93 (funkygourmet.com). Ouzo at
Brettos from US$4 (brettosplaka.com). Bubble
cocktail at MoMix US$4(momixbar.com).

Essentials


Chef and owner
Georgianna
Hiliadaki at
Funky Gourmet.
Right Changing
of the guard at
the parliament
building

Bubble cocktails
at inventive bar
MoMix

called Silence of the Lamb on the flamboyant
tasting menu, she says, ‘Diners come because
they want an experience. It’s not just going
out for dinner, it is like going to the opera.’
The approach has earned Funky Gourmet
two Michelin stars, and endless bookings of
its nine tables. Here, it seems, the Athenian
love of performance has reached its zenith.
Free download pdf