- See Berger; Boose, “Othello’s Handkerchief: The Recognizance and Pledge of
Love,” in Barthelemy, ed., 55 – 67 ; and Newman, Fashioning Femininity. - Horden and Purcell, 393.
- Compare Hanson, “Brothers of the State,” who argues (provocatively) for a play
of substitution whose implication and consequence is finally “a radical absence of identity”
( 141 ). - The house in question could also be Brabantio’s, though at the moment of its trans-
mission, it is part of what “succeeds” on Gratiano at the Moor’s, not the senator’s, death.
conclusion
- See, for example, Horn, A Land As God Made It.See also Kupperman, The
Jamestown Project (Cambridge, Mass.: Harvard University Press, 2007 ). - The critical debate on this issue is extensive. See, for example, Bartolovich, “ ‘Base-
less Fabric’: London as a ‘World City,’ ” in “The Tempest” and Its Travels, ed. Peter Hulme
and William H. Sherman (Philadelphia: University of Pennsylvania Press, 2000 ), 13 – 26 ;
Richard Wilson, “Voyage to Tunis: New History and the Old World of The Tempest,”ELH
64 , no. 2 (Summer 1997 ): 333 – 57 ; and Andrew Hess, “The Mediterranean and Shake-
speare’s Geopolitical Imagination,” in Hulme and Sherman, 121 – 30. - In The English Literatures of America, 1500–1800(New York: Routledge, 1997 ), Myra
Jehlen and Michael Warner (eds.) begin their section on “The English Diaspora” with the
Strachey narrative; see Warner’s discussion, 101 – 3. - For a useful survey of the “incredibly flexible” (ix) image of Caliban, see Alden T.
Vaughan and Virginia Mason Vaughan, Shakespeare’s Caliban: A Cultural History( 1991 ;
Cambridge: Cambridge University Press, 1996 ). - William Stork ed., William Rowley: His All’s Lost by Lust andA Shoemaker, A Gen-
tleman (Philadelphia: John C. Winston Co., 1910 ).
226 notes to pages 185–193