Fran Martinreferences
Appadurai, A. (1996). Modernity at Large: Cultural Dimensions of Globilization. Minneapolis: University of
Minnesota Press.
Bei, T. and Myers, S. (2011). “Beijing Comrades: A Gay Chinese Love Story.” Amerasia Journal, 37(2): 73–94.
Berry, C. (2007). “The Chinese Side of the Mountain.” Film Quarterly, 60(3): 32–37.
Berry, C., Martin, F. and Yue, A. (eds) (2003). Mobile Cultures: New Media in Queer Asia. Durham and London:
Duke University Press.
Chan, N. (2010). “Queering Body and Sexuality.” In C. Yau (ed.) As Normal as Possible: Negotiating Sexuality
and Gender in Mainland China and Hong Kong, pp. 133–149. Hong Kong: Hong Kong University Press.
Chiang, H. and Heinrich, A.L. (eds) (2014). Queer Sinophone Cultures. London and New York: Routledge.
Chua, B.H. (2012). Structure, Audience and Soft Power in East Asian Pop Culture. Hong Kong: Hong Kong
University Press.
Dasgupta, R. (2006). “The Film Bishonen and Queer(N)Asia Through Japanese Popular Culture.” in
M. Allen and R. Sakamoto (eds) Popular Culture, Globalization and Japan, pp. 56–74. London and
New York: Routledge.
Feng, J. (2013). Romancing the Internet: Producing and Consuming Chinese Web Romance. Leiden and Boston:
Brill.
Fu, P. (2003). Between Shanghai and Hong Kong: The Politics of Chinese Cinemas. Stanford: Stanford University
Press.
Fujimoto, Y. (1991). 『ニュー.フェミニズム.レビュー vol. 2：女と表現──フェミ ニズム批評
の現在』 1991 年５月。これは著者の許可を得て載せたものです。 ‘The Significance of Shonen-ai’
in Shōjo-manga’ (unpublished translation by Taeko Yamada). Accessed August 2, 2016. Available in
Japanese at http://www.mattthorn.com/shoujomanga/fujimoto.html.
Galbraith, P.W. (2011). “Fujoshi: Fantasy Play and Transgressive Intimacy Among ‘Rotten Girls’ in Contem-
porary Japan.” Signs, 37(1): 211–232.
Leng, R. (2013). Tongzhi Tales in Mainland China: Chinese Gay Male Subjectivities in Online Comrade Literature.
Honors thesis, Duke University, Department of Asian and Middle Eastern Studies.
Leung, H.H.-S. (2008). Undercurrents: Queer Culture and Postcolonial Hong Kong. Vancouver and Toronto:
UBC Press.
Leung, H.H.-S. (2012). “Trans on Screen.” in H. Chiang (ed.) Transgender China, pp. 183–198. New York:
Palgrave MacMillan.
Levi, A., McHarry, M., and Pagliassotti, D. (eds) (2010). Boys’ Love Manga: Essays on the Sexual Ambiguity and
Cross-Cultural Fandom of the Genre. Jefferson, NC: McFarland and Company.
Li, Y. (2009). Japanese Boylove Manga and the Global Fandom: A Case Study of Chinese Female Readers. MA
thesis, Indiana University, Dept of Communication Studies.
Lim, S.H. (2006). Celluloid Comrades: Representations of Male Homosexuality in Contemporary Chinese Cinemas.
Honolulu: University of Hawaii Press.
Mackie, V. and McLelland, M. (2014). “Introduction: Framing Sexuality Studies in East Asia.”
In M. McLelland and V. Mackie (eds) Routledge Handbook of Sexuality Studies in East Asia, pp. 1–17.
London and New York: Routledge.
Maree, C. (2013). “Writing One: Deviant Orthography and Heternormativity in Contemporary Japanese
Lifestyle Culture.” Media International Australia incorporating Culture and Policy, 147: 98–110.
Martin, F. (2003a). “The Perfect Lie: Sandee Chan and Lesbian Representability in Mandarin Pop Music.”
Inter-Asia Cultural Studies, 4(2) (August): 264–280.
Martin, F. (2003b). “Taiwan’s Literature of Transgressive Sexuality.” in F. Martin (trans.) Angelwings: Contem-
porary Queer Fiction From Taiwan, pp. 1–28. Honolulu: University of Hawai’i Press.
Martin, F. (2008). “Comics as Everyday Theory: The Counterpublic World of Taiwanese Women Fans of
Japanese Homoerotic Manga.” in K. Schlunke and N. Anderson (eds) Cultural Theory and Everyday
Practice, pp. 164–176. Oxford: Oxford University Press.
Martin, F. (2009). “That Global Feeling: Sexual Subjectivities and Imagined Geographies in Chinese-
Language Lesbian Cyberspaces.” In M. McLelland and G. Goggin (eds) Internationalizing Internet Studies,
pp. 285–301. New York and London: Routledge.
Martin, F. (2010). Backward Glances: Contemporary Chinese Cultures and the Female Homoerotic Imaginary.
Durham and London: Duke University Press.
Martin, F. (2012). “Girls Who Love Boys’ Love: Japanese Homoerotic Manga as Trans-national Taiwan
Culture.” Inter-Asia Cultural Studies, 13(3): 365–383.