index
3.11 disaster: demonstrations, organized through
social media 152–3; social media, post-disaster
activism 151
3.11 hashtags 150–1
20 Once Again 42
1976 (house band of Underworld) 125
1987 system, Korean cinema 73
2003 Closer Economic Partnership 249
Abbas, Ackbar 231
activism: post-disaster activism, Japan 151;
social media 137
actors: mixed-blood performers 176;
transnational stars 171
adaptation 28–9
advertising, K-pop 120
aesthetics, shanzhai 237
AFCNet (Asian Film Commissions Network) 269
Agora, Daum.net 139
Ai Wei Wei 205
Air Doll 174
Ajeossi 76
Alibaba 42
alternative histories, war memories 257
American influence on East Asia pop culture
14–15
America’s Funniest Home Videos 39
An Jung-geun 171
animation, Japan 245
anti-Korean sentiment, Japan 155, 167
Aoi Sola 206
Aoyama Shinji 88, 91
APM (Asian Project Market) 266; producers in
global film industry 269–70
Appadurai, Arjun 172
Arirang 73
Aronczyk, Melissa 280
articulating: East Asian pop culture 17–19; popular
culture 14
Asia as method 31, 65
Asian Film Commissions Network (AFCNet) 269
Asian identity, BIFF (Busan International Film
Festival) 265
Asian Project Market (APM) 266
Asian women migrants 56
Asianness 269
Asia-Pacific War 255
Asia-yearning-for-Japan 246
Aso Taro 245
aspirations, shanzhai 239–40
Assmann, Aleida 259–60
Attack on Titan (Shingeki no kyojin) 88
audience reception, transnational works 173
Aw, Annette 191
Azuma Hiroki 90, 202backlash, reactions to soft power 250
Bae Doona 174
banal nationalism 59, 278–9
banal racism 58–9
Barefoot Gen 255, 258
Barren Illusion 87–9
b-boying 118
beast-like masculinity 220
Beck, Ulrich 32
Beckham, David 216–17
Bei Tong 193
Beijing, D22 128–31
Beijing Comrades 193
Beijing Film Academy 82
Benjamin, Walter 76
Berlin International Film Festival 270