ArtAsiaPacific — May-June 2017

Profiles artasiapacific.com^79 Profiles The room was dark on a December evening at Empty Gallery, enough so that one guest lost ...

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Features artasiapacific.com^81 100 Manuel Ocampo THE DEVIL YOU KNOW BY DOMINIC ZINAMPAN 110 Tintin Wulia NOT ALONE BY EVA MCGOVE ...

BY YUJIN MIN Lee Wan ...

Transformative Assemblages ...

84 | MAY/JUN 2017 | ISSUE 103 (Previous spread) Installation view of the exhibition “How to Become Us,” at Art Space Pool, Seoul ...

Features artasiapacific.com^85 began to break away from seeking inspiration in traditional art- historical textbooks. Instead, h ...

86 | MAY/JUN 2017 | ISSUE 103 ...

Features artasiapacific.com^87 (Opposite page, top and middle) KISS LONELY GOODBYE, CHICKEN BASEBALL, 2008, from the series “Lif ...

88 | MAY/JUN 2017 | ISSUE 103 explicitly make mention of this event, the work suggests a cynical attitude to the notion of equat ...

Features artasiapacific.com^89 (Opposite page) HOW TO BECOME US, 2011, 60 collected objects combined into an average weight of 5 ...

Samson Young ...

BY YSABELLE CHEUNG CHASING FRONTIERS ...

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Features artasiapacific.com^93 (Previous spread) LANDSCHAFT (ROUEN CATHEDRAL, (SIDE GARDEN) (SLIGHTLY DIFFERENT POSITION), AUGUS ...

94 | MAY/JUN 2017 | ISSUE 103 “There was probably nothing further from my world of music. I saw people doing all these really we ...

Features artasiapacific.com^95 (Opposite page) THE COFFEE CANTATA (INSTITUTE OF FICTIONAL ETHNOMUSICOLOGY) (detail), 2015, creat ...

96 | MAY/JUN 2017 | ISSUE 103 Artist Award. He graduated from the University of Hong Kong and “composed” the radical Brahms Stri ...

Features artasiapacific.com^97 (Opposite page, top) LIQUID BORDERS IV (MAI PO & LUK KENG), 2014, ink, pencil, mixed media, w ...

98 | MAY/JUN 2017 | ISSUE 103 WHEN I HAVE FEARS THAT I MAY CEASE TO BE, WHAT WOULD YOU GIVE IN EXCHANGE FOR YOUR SOUL, 2016, fie ...