ArtAsiaPacific — May-June 2017
Features artasiapacific.com^99 until Young was in his early 20s that charity singles became popularized in the city, by which ti ...
Manuel Ocampo ...
BY DOMINIC ZINAMPAN THE DEVIL YOU KNOW ...
102 | MAY/JUN 2017 | ISSUE 103 (Previous spread) (Left) QUITATE LA ROPA Y CALLATE, 2015, acrylic on digital print, 74 x 94 cm; ( ...
Features artasiapacific.com^103 To shock or hurt is not his intention. Instead, Ocampo’s message is that we must arm ourselves w ...
104 | MAY/JUN 2017 | ISSUE 103 “I always seem to pervert my function as an artist, thereby sabotaging my own work. I guess this ...
Features artasiapacific.com^105 (Opposite page) UNTITLED (ETHNIC MAP OF LA), 1987, acrylic and collage on canvas, 168.9 x 149.8 ...
106 | MAY/JUN 2017 | ISSUE 103 and veterans without the typically bureaucratic and dogmatic rules found in academia. In 2011, Oc ...
Features artasiapacific.com^107 ...
Tintin Wulia ...
NOT ALONE By Eva McGovern-Basa ...
110 | MAY/JUN 2017 | ISSUE 103 In today’s geopolitical hotbed of activity, Tintin Wulia’s practice seems more relevant than ever ...
Features artasiapacific.com^111 (Previous spread) NOUS NE NOTONS PAS LES FLEURS, FORT RUIGENHOEK, 2011, view of participatory pe ...
112 | MAY/JUN 2017 | ISSUE 103 The works deal with secrets and memories. Have you explored these themes and the Mars context bef ...
Features artasiapacific.com^113 (Opposite page) FIVE TONNES OF HOMES AND OTHER UNDERSTORIES, 2015–16, from the project “Trade/Tr ...
114 | MAY/JUN 2017 | ISSUE 103 (This page) MAKE YOUR OWN PASSPORT, 2014/16, workshop and performance. Photo by Daris Jasper. Cou ...
Features artasiapacific.com^115 related to geography and land on Earth. But as humans, we don’t only exist in space. We also exi ...
116 | MAY/JUN 2017 | ISSUE 103 and who can stay, and with what basis of differentiation. Again, a new gap, a new separator, a ne ...
Features artasiapacific.com^117 As a memento mori, the passport works well as it’s a portable object, one that you can hold clos ...
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